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GS Paper: GS1-01.Indian Culture- Salient aspects of Art Forms, Literature and Architecture from ancient to modern times.

  • Battle of Karnal (1739)

    Why in the News?

    On February 24, 1739, the Battle of Karnal marked a turning point in the history of Mughal empire.

    About Battle of Karnal 

    • The Battle of Karnal on February 24, 1739, saw Nadir Shah’s Persian army defeat Mughal Emperor Muhammad Shah ‘Rangila’ in under three hours.
    • Despite having 300,000 soldiers, the Mughal army was crushed by Nadir Shah’s 55,000 well-trained troops using modern tactics and superior firearms.
    • Following the victory, Delhi was sacked, 30,000 civilians massacred, and the Mughal treasury looted, including the Koh-i-Noor diamond and the Peacock Throne.

    Impact on Mughal Decline

    • Economic Collapse: The Mughal treasury was emptied, crippling military and administrative strength.
    • Weakening Central Power: Governors of Bengal, Awadh, and Hyderabad declared independence.
    • Military Decline: The Mughal army’s outdated tactics were exposed; future invasions (e.g., Ahmad Shah Abdali, 1748-1761) followed.
    • Rise of Regional Powers: The Marathas expanded, eventually capturing Delhi (1771); the Sikhs grew in Punjab.
    • British Expansion: The East India Company took advantage, leading to British rule after 1857.

    PYQ:

    [2019] With reference to Mughal India, what is/are the difference/differences between Jagirdars and Zamindar?

    1. Jagirdars were holders of land assignments in lieu of judicial and police duties, whereas Zamindars were holders of revenue rights without obligation to perform any duty other than revenue collection.

    2. Land assignments to Jagirdars were hereditary and revenue rights of Zamindars were not hereditary.

    Select the correct answer using the codes given below:

    (a) 1 only

    (b) 2 only

    (c) Both 1 and 2

    (d) Neither 1 nor 2

     

  • Tea Tribes and Jhumur Dance

    Why in the News?

    Prime Minister witnessed the largest-ever Jhumur dance performance in Guwahati, to commemorate the 200th anniversary of Assam’s tea industry.

    What are Tea Tribes/Tea Garden Communities of Assam?

    • The Tea Tribes or Tea Garden Communities of Assam are descendants of laborers brought by the British in the 19th century to work in tea plantations.
    • These workers were mainly from Jharkhand, Odisha, Chhattisgarh, West Bengal, and Andhra Pradesh.
    • Many were brought through forced migration, and even voluntary migration occurred under exploitative conditions.
    • They were subjected to poor wages, inhumane working conditions, and restricted mobility.
    • The community is concentrated in Upper Assam districts like Tinsukia, Dibrugarh, Golaghat, Sonitpur, and Sivasagar, and in the Barak Valley.
    • They currently have Other Backward Classes (OBC) Status but demand Scheduled Tribe (ST) status, as many of their sub-groups, like Munda, Santhal, and Oraon, hold ST status in their original states.
    • Despite adversity, the Tea Garden Communities preserved their cultural identity, with distinct festivals, music, and dance forms.
      • Their major festivals include Tushu Puja and Karam Puja, celebrated with the traditional Jhumur dance.

    About Jhumur Dance 

    • Jhumur (also spelled Jhumoir or Jhumair) is a folk dance of the Sadan ethnolinguistic group, mainly practised by Assam’s Tea Garden Communities.
    • It originated in Chotanagpur Plateau (Jharkhand, Odisha, Bengal, and Chhattisgarh) and was brought to Assam during the British colonial era.
    • Over time, it blended with Assamese culture, incorporating Assamese musical and linguistic influences.
    • Performance and Style:
      • Women are the primary dancers, standing shoulder-to-shoulder in synchronized formations.
      • Men accompany them with traditional instruments like madal, dhol, dhak (drums), cymbals, flutes, and shehnai.
      • Attire: Women wear red and white sarees, while men wear kurta-dhoti with gamocha (traditional Assamese cloth).
    • Jhumur songs depict both celebration and hardship, narrating:
      • Love and Nature – Seasonal changes, harvest, and romance.
      • Hardships of Tea Workers – Struggles, migration, and exploitation.
      • Festivals and Community Life – Unity, faith, and social cohesion.
    • It serves as a cultural bridge, helping retain their traditions and forge a unique identity in Assam.

    PYQ:

    [2021] With reference to India, the terms ‘Halbi, Ho and Kui’ pertain to​:

    (a) Dance forms of Northwest India​

    (b) Musical instruments​

    (c) Pre-historic cave paintings​

    (d) Tribal languages​

     

  • Ratnagiri Buddhist Heritage Site in Odisha

    Why in the News?

    On December 1, 2024, a team of archaeologists, students, and laborers began excavation at the Ratnagiri Buddhist Heritage Site in Jajpur, Odisha.

    On December 1, 2024, a team of archaeologists, students, and laborers began excavation at the Ratnagiri Buddhist Heritage Site in Jajpur, Odisha.

    About the Ratnagiri Buddhist Heritage Site

    • Located in Jajpur district, Odisha, Ratnagiri is part of the “Diamond Triangle” along with Udayagiri and Lalitgiri.
    • It flourished as a Vajrayana Buddhist center from the 5th to 13th century AD.
    • It was first reported in 1906, with excavations conducted from 1958-1961 by Debala Mitra.
    • It is identified as ‘Sri Ratnagiri Mahavihara Arya Bhikshu Sangha’ through inscriptions.

    Key Findings at the Site:

    • Largest Buddha Head in Odisha: 1.4 meters tall, made of Khondalite stone, featuring intricate carvings.
    • Monolithic Elephant Sculpture: Likely part of an ancient shrine complex.
    • Hundreds of Votive Stupas: Used for spiritual offerings, reflecting Vajrayana Buddhist traditions.
    • Sanskrit Inscriptions in Kutila Script: Provide insights into monastic teachings and rituals.
    • Stone Tablets and Masonry Structures: Indicate large, organized monastic settlements.
    • Lion Pedestal (Simhasana) and Buddhist Deities: Includes Amoghasiddhi, Ratnasambhava, Akshobhya, Amitabha, Tara, Marici, Padmapani, Cunda.
    • Artefacts Used in Local Villages: Repurposed as decorations, Tulsi bases, and construction materials.

    PYQ:

    [2014] With reference to Buddhist history, tradition and culture in India, consider the following pairs :

    Famous shrine: Location

    1. Tabo monastery and temple complex: Spiti Valley
    2. Lhotsava Lhakhang temple, Nako: Zanskar Valley
    3. Alchi temple complex: Ladakh complex

    Which of the pairs given above is/are correctly matched?

    (a) 1 only

    (b) 2 and 3 only

    (c) 1 and 3 only

    (d) 1, 2 and 3

     

  • Assam to recognize Bathou Faith

    Why in the News?

    The Bodoland Territorial Region (BTR) government in Assam has officially included ‘Bathouism’ as an option in the religion column of key application forms, including admission forms, birth and death certificates.

    What is Bathouism?

    • Bathouism is the traditional faith of the Bodo people, primarily practiced in Assam and the foothills of Bhutan.
    • It is a nature-centric religion that worships Bathoubwrai, the supreme deity believed to govern the universe.
    • The central symbol of Bathouism is the Sijou plant (Euphorbia antiquorum), representing Bathoubwrai and planted in sacred enclosures (Bathou Thansali).
    • Bathou Puja is performed to seek divine blessings for prosperity, health, and well-being.
    • The Assam government has recently recognized Bathouism as a distinct faith, allowing its inclusion in official documents.

    Philosophy of Bathouism

    • Bathouism is based on five fundamental elements, known as Ba (five) Thou (deep thought), representing natural forces:
    1. Bar (Air) – Symbolizes breath, movement, and life force.
    2. San (Sun) – Represents light, energy, and warmth.
    3. Ha (Earth) – Stands for stability, fertility, and sustenance.
    4. Or (Fire) – Denotes transformation and purification.
    5. Okhrang (Sky) – Represents infinite wisdom and cosmic balance.
    • Bathoubwrai (Sibwrai) is considered almighty, omniscient, and eternal, beyond time and space. He is indestructible—fire cannot burn him, water cannot moisten him, air cannot dry him, and weapons cannot pierce him.
    • Bathouism promotes:
    1. Truthfulness, honesty, and righteousness.
    2. Respect for elders, ancestors, and nature.
    3. Peaceful coexistence and non-violence.
    4. Gratitude through rituals and pujas.
    • Bathou rituals involve five bamboo sticks symbolizing the five elements, with offerings of rice beer, milk, flowers, and incense.
    • Ancestral veneration and community harmony are integral aspects of the faith.

    PYQ:

    [2014] Which one of the following pairs does not form part of the six systems of Indian Philosophy?

    (a) Mimamsa and Vedanta

    (b) Nyaya and Vaisheshika

    (c) Lokayata and Kapalika

    (d) Sankhya and Yoga

     

  • Iron Age in India

    Why in the News?

    Tamil Nadu CM recently proclaimed that the Iron Age began on Tamil soil over 5,300 years ago (4th millennium BCE), based on findings from Mayiladumparai, Sivagalai, Adichanallur, and Kilnamandi.

    Iron Age in India

    • The Iron Age in India was initially thought to have begun around 700-600 BCE.
    • Radiocarbon dating pushed the timeline back to 1800 BCE, with evidence of iron smelting found in Central Ganga Plain and Eastern Vindhyas.
    • Recent discoveries in Tamil Nadu suggest that iron metallurgy was established in South India as early as 3300 BCE.

    Notable Iron Age Sites in India:

    1. Central and Northern India
    • Raja Nala-ka-tila (UP): Iron tools and slag found in pre-NBP (Northern Black Polished) deposits (1400–800 BCE).
    • Malhar (Chandauli, UP): Furnaces and iron slag indicate a major iron metallurgy center (1200 BCE).
    • Dadupur (UP): Large-scale iron smelting evidence dating back to 1000 BCE.
    • Hastinapur (UP): Iron tools associated with the Painted Grey Ware (PGW) culture (1000 BCE).
    • Takshashila (Punjab, Pakistan): Iron tools found in Gandhara settlements (800 BCE).
    1. Western and Central India
    • Ahar (Rajasthan): Chalcolithic culture (2500–1700 BCE) showed early evidence of iron artifacts.
    • Naikund (Vidarbha, Maharashtra): Discovery of an iron smelting furnace (1000 BCE).
    • Mahurjhari (Nagpur, Maharashtra): Horse ornaments made of copper with iron knobs (800 BCE).
    1. South India
    • Paiyampalli (Tamil Nadu): Large-scale iron smelting and slag deposits (1200 BCE).
    • Adichanallur (Tamil Nadu): Iron tools and burial urns linked to Megalithic culture (1000 BCE).
    • Mayiladumparai (Tamil Nadu): Recent findings date iron usage to 3300 BCE, making it one of the oldest sites of iron metallurgy in India.
    • Sivagalai (Tamil Nadu): Iron artifacts and slag deposits, indicating early smelting practices (1100 BCE).

    Iron Age in Tamil Nadu: New Discoveries

    • Earlier studies in Mayiladumparai Excavation (2022) suggested that the Iron Age began 4,200 years ago (3rd millennium BCE).
    • This timeline coincides with the Copper/Bronze Age in North India, indicating a technological divergence between the regions.
    • The latest State Archaeology Department’s report, “Antiquity of Iron: Recent Radiometric Dates from Tamil Nadu, confirms that Iron smelting began as early as 3,345 BCE – 2,953 BCE.
    • Limited availability of copper ores in South India might have led to the early adoption of iron technology.
    • Excavations in Sivagalai, Adichanallur, Kilnamandi, and Mayiladumparai indicate that the Iron Age in Tamil Nadu predates much of North India.

    PYQ:

    [2017] With reference to the difference between the culture of Rigvedic Aryans and Indus Valley people, which of the following statements is/are correct?

    1. Rigvedic Aryans used the coat of mail and helmet in warfare whereas the people of Indus Valley Civilization did not leave any evidence of using them.
    2. Rigvedic Aryans knew gold, silver and copper whereas Indus Valley people knew only copper and iron.
    3. Rigvedic Aryans had domesticated the horse whereas there is no evidence of Indus Valley people having been aware of this animal.

    Select the correct answer using the code given below:

    (a) 1 only

    (b) 2 and 3 only

    (c) 1 and 3 only

    (d) 1, 2 and 3

     

  • Dhokra Artwork

    Why in the News?

    Prime Minister Narendra Modi has gifted a Dhokra (or Dokra) artwork to French President Emmanuel Macron.

    About Dhokra Artwork

    • Dhokra Art is an ancient metal-casting craft from India, primarily practiced by the Dhokra Damar tribes.
    • It uses the lost-wax casting technique, where a wax model is made, coated in clay, and molten metal is poured into the mold after the wax melts.
    • This technique has been in use for over 4,000 years, with the earliest known artifact being the dancing girl from Mohenjo-Daro.
    • Dhokra is practiced in Odisha, West Bengal, Jharkhand, Chhattisgarh, and Telangana, with distinct regional styles.
    • In 2018, Adilabad Dokra from Telangana received the GI tag for its distinct style.

    Features of Dhokra Art:

    • Primitive: The designs are rustic and simplistic, often featuring animals, religious figures, and tribal motifs.
    • Seamless: Dhokra pieces are crafted as a single unit without joints, providing a unique and smooth finish.
    • Long Crafting Time: Each figurine can take up to a month to complete due to the intricate processes involved.
    • Non-ferrous Metal: Brass and copper are mainly used in Dhokra Art due to their strength and malleability.
    • Casting Types:
      • Solid Casting: Common in Southern India, uses solid wax.
      • Hollow Casting: Predominant in Central and Eastern India, uses a clay core.
  • Who was Sant Guru Ravidas?

    Why in the News?

    The birth anniversary of Sant Guru Ravidas, a prominent figure in the Bhakti movement during the 15th and 16th centuries, is celebrated every year on 12th February.

    Sant Guru Ravidas

    Who was Sant Guru Ravidas?

    • Guru Ravidas, also known as Bhagat Ravidas, was a prominent saint, poet, and social reformer of the Bhakti movement in 15th-century India.
    • Born in 1377 CE in Seer Govardhanpur, Uttar Pradesh, he dedicated his life to eradicating social discrimination and promoting equality.
    • Despite facing caste-based oppression, Guru Ravidas rose to prominence through his wisdom, humility, and devotion to God.
    • He was a contemporary of Sant Kabir and is believed to have met Guru Nanak, the founder of Sikh religion.
    • His hymns are included in the Guru Granth Sahib, reflecting his significant influence in Sikhism and Bhakti traditions.

    Key Contributions of Guru Ravidas

    • Equality & Social Justice: Opposed caste discrimination and untouchability.
    • Bhakti Movement: Advocated devotion over rituals for spiritual enlightenment.
    • Begumpura Concept: Envisioned a society free from oppression and sorrow.
    • Literary Contributions: Composed over 40 devotional hymns in Guru Granth Sahib.
    • Spiritual Influence: Guided Meera Bai in her devotion to Lord Krishna.
    • Universal Brotherhood: Taught that God is for all, beyond religion or caste.
    • Impact on Sikhism: Influenced Guru Nanak and Sikh teachings on equality and devotion.

    PYQ:

    [2018] Consider the following Bhakti Saints:

    1. Dadu Dayal

    2. Guru Nanak

    3. Tyagaraja

    Who among the above was/were preaching when the Lodi dynasty fell and Babur took over?

    (a) 1 and 3

    (b) 2 only

    (c) 2 and 3

    (d) 1 and 2

     

  • [pib] Guru-Shishya Parampara Scheme

    Why in the News?

    The Ministry of Culture implements a Central Sector scheme by the name of ‘Financial Assistance for Promotion of Guru-Shishya Parampara (Repertory Grant)’.

    What is the Guru-Shishya Parampara Scheme?

    • The Ministry of Culture launched this scheme in 2003-04.
    • It aims to preserve and promote India’s traditional performing arts.
    • It provides financial assistance to Gurus (mentors) and Shishyas (students) in music, dance, theatre, and folk arts, ensuring structured training under the age-old mentorship system.
    • Aims and Objectives:
      • Preserve and revive rare art forms through direct knowledge transfer.
      • Support traditional artists by providing financial aid for sustainable livelihoods.
      • Encourage young talent by facilitating training under experienced Gurus.
      • Promote classical, folk, and tribal art forms through structured mentorship.

    Features and Significance:

    • Financial Assistance
      • Guru – ₹7,500/month | Accompanist – ₹3,750/month
      • Shishyas – ₹1,500/month (up to four per Guru)
      • Repertory Grant – Guru: ₹15,000/month | Shishya: ₹2,000 – ₹10,000/month
    • Eligibility
      • Indian citizens engaged in traditional performing arts.
      • Gurus aged 45-70 years with national-level recognition.
    • Implementation & Monitoring
      • Each Guru trains 5-8 Shishyas, focusing on rural and tribal artists.
      • Periodic reviews and expert evaluations ensure proper fund utilization.
  • Gyan Bharatam Mission

    Why in the News?

    The Union Budget 2025-26 has introduced the Gyan Bharatam Mission, a comprehensive initiative for surveying, documenting, and conserving India’s manuscript heritage.

    What is Gyan Bharatam Mission?

    • It is a nationwide initiative launched in the Union Budget 2025-26 to survey, document, and conserve India’s manuscript heritage.
    • The mission aims to cover over one crore manuscripts, ensuring the systematic preservation of ancient texts housed in academic institutions, museums, libraries, and private collections.
    • It is a revival and expansion of the National Manuscripts Mission (NMM), which was originally established in 2003 but had limited impact due to inadequate funding and structural challenges.
    • The mission aligns with India’s broader cultural conservation goals and is expected to create a centralized repository for India’s rich textual and intellectual heritage.
    • Aims and Objectives:
      • Survey and document manuscripts across institutions and private collections.
      • Digitize rare texts and create a centralized repository for research and preservation.
      • Restore and conserve fragile manuscripts using modern preservation techniques.
    • Features and Significance:
      • Budget Allocation Increased:  Funding for NMM raised from ₹3.5 crore to ₹60 crore.
      • Digital Preservation:  AI-driven archiving, metadata tagging, and translation tools for easy access.

    PYQ:

    [2023] With reference to Indian History, Alexander Rea, A. H. Longhurst, Robert Sewell, James Burgess and Walter Elliot were associated with (2023)

    (a) archaeological excavations

    (b) establishment of English Press in Colonial India

    (c) establishment of Churches in Princely States

    (d) construction of railways in Colonial India

  • [pib] National Mission on Cultural Mapping (NMCM)

    Why in the News?

    As part of the Azadi Ka Amrit Mahotsav, National Mission on Cultural Mapping (NMCM) introduced the Mera Gaon Meri Dharohar (MGMD) portal in June 2023, facilitating comprehensive documentation of the cultural heritage of 6.5 lakh villages across India.

    About National Mission on Cultural Mapping (NMCM):

    Details Launched by the Ministry of Culture, Government of India and implemented by Indira Gandhi National Centre for the Arts (IGNCA).
    Aims and Objectives
    • Document India’s cultural heritage, including art forms, artists, crafts, and performing arts.
    • Mapping of 6.5 lakh villages across India; Initial focus on Bihar.
    • IT-enabled platform to store and manage cultural data via a web portal and mobile app (Mera Gaon Meri Dharohar).
    Significant Features
    • Database creation for cultural elements like oral traditions, art, customs, festivals, food, and historical landmarks.
    • National Register of Artists and Art Practices for cultural preservation.
    • Raising awareness about cultural heritage’s role in economic development and national unity.
    Initiatives under the Mission
    • Mera Gaon Meri Dharohar (MGMD): Documents villages, focusing on culture, history, and traditions.
    • 7 Categories of Cultural Data: Arts & Crafts, Ecology, Scholastic Traditions, Epics, History, Architecture, and Unique Features.
    • Sanskriti Pratibha Khoj: Identification of traditional artists through cultural mapping.
    • National Cultural Work Place and Outreach: Involves newsletters, magazines, booklets, advertisements, media, and content designing.