Mains Ready By December. Smash Mains & Smash PYQ Admissions Open
Talk to Mentor

Civilsdaily

GS Paper: GS1-01.Indian Culture- Salient aspects of Art Forms, Literature and Architecture from ancient to modern times.

  • In news: Madhubani/Mithila Paintings

    An artist known as the ‘mask man’ of Bihar dispatches masks with hand-painted Madhubani motifs all over India.

    Also read:

    [Prelims Spotlight] Indian Paintings and Handicrafts

    Madhubani Paintings

    • Madhubani art (or Mithila painting) is a style of Indian painting, practised in the Mithila region of Bihar.
    • This painting is done with a variety of tools, including fingers, twigs, brushes, nib-pens, and matchsticks and using natural dyes and pigments.
    • It is characterized by its eye-catching geometrical patterns.
    • It was traditionally created by the women of various communities in the Mithila region of the Indian subcontinent.
    • This painting as a form of wall art was practised widely throughout the region; the more recent development of painting on paper and canvas mainly originated among the villages around Madhubani.
    • It is these latter developments that led to the term “Madhubani art” being used alongside “Mithila Painting.”

    Its features

    • It uses two-dimensional imagery, and the colours used are derived from plants. Ochre, Lampblack and Red are used for reddish-brown and black, respectively.
    • It mostly depicts people and their association with nature and scenes and deities from the ancient epics.
    • Natural objects like the sun, the moon, and religious plants like tulsi are also widely painted, along with scenes from the royal court and social events like weddings.
    • Generally, no space is left empty; the gaps are filled by paintings of flowers, animals, birds, and even geometric designs.
    • Madhubani art has five distinctive styles: Bharni, Kachni, Tantrik, Godna and Kohbar.
    • This painting has also received a GI (Geographical Indication) status.

  • [pib] Mongolian Kanjur Manuscripts

    The Ministry of Culture has taken up the project of reprinting of 108 volumes of Mongolian Kanjur under the National Mission for Manuscripts (NMM).  The first sets of five volumes were presented to the President of India.

    Try this question from CSP 2011:

    Q.India maintained its early cultural contacts and trade links with Southeast Asia across the Bay of Bengal. For this preeminence of early maritime history of Bay of Bengal, which of the following could be the most convincing explanation/explanations?

    (a) As compared to other countries, India had a better ship-building technology in ancient and medieval times.

    (b) The rulers of southern India always patronized traders, Brahmin priests and Buddhist monks in this context.

    (c) Monsoon winds across the Bay of Bengal facilitated sea voyages.

    (d) Both (a) and (b) are convincing explanations in this context.

    Mongolian Kanjur

    • Mongolian Kanjur, the Buddhist canonical text in 108 volumes is considered to be the most important religious text in Mongolia.
    • In the Mongolian language ‘Kanjur’ means ‘Concise Orders’- the words of Lord Buddha in particular. It has been translated from Tibetan.
    • It is held in high esteem by the Mongolian Buddhists and they worship the Kanjur at temples and recite the lines of Kanjur in daily life as a sacred ritual.
    • The Kanjur is kept almost in every monastery in Mongolia.
    • The language of the Kanjur is Classical Mongolian and it is a source of providing a cultural identity to Mongolia.

    About National Mission for Manuscripts

    • The Mission was launched in February 2003 under the Ministry of Tourism and Culture, with the mandate of documenting, conserving and disseminating the knowledge preserved in the manuscripts.
    • One of the objectives of the mission is to publish rare and unpublished manuscripts so that the knowledge enshrined in them is spread to researchers, scholars and the general public at large.
    • Under this scheme, reprinting of 108 volumes of Mongolian Kanjur has been taken up by the Mission.

  • Sindhu Darshan Puja

    During his day-long whirlwind visit, PM Narendra performed Sindhu Darshan Puja at Nimu, the forward brigade place in Ladakh.

    Sindhu Darshan Puja.

    ⦁ Sindhu Darshan Festival is a festival of India held every year on full moon day (on Guru Purnima) in the month of June.
    ⦁ It is held at Leh, in Ladakh District of Ladakh. It stretches for three days.
    ⦁ It was first started in the October by veteran politician L.K. Advani, 1997 and continues to be held every year since then, attracting large number of foreign and domestic tourists.
    ⦁ The main reason behind the celebration of Sindhu Darshan Festival is to endorse the Indus River (Sindhu River) as an icon of the communal harmony and unity of India.

  • Festival in news: Bahuda Yatra

    The Bahuda Yatra, the return journey of the deities to the Puri Jagannath temple after the annual Rath Yatra, was recently concluded amid permitted restrictions.

    Bahuda Yatra

    • A/c to folk stories Lord Jagannath and his siblings, Goddess Shubhadra and Lord Balabhadra, returns from their aunt’s place at Gundicha Temple to Jagannath Temple.
    • This journey is known as Bahuda Yatra.
    • Nine days after the Rath Yatra, the yatra or the return journey takes place.

    About Jagannath Rath Yatra

    • Ratha Jatra, the Festival of Chariots of Lord Jagannatha is celebrated every year at Puri, the temple town in Orissa, on the east coast of India.
    • It involves a public procession with a chariot with deities Jagannath (Vishnu avatar), BalaBhadra (his brother), Subhadra (his sister) and Sudarshana Chakra (his weapon) on a ratha, a wooden deula-shaped chariot.
    • The huge, colourfully decorated chariots, are drawn by hundreds and thousands of devotees on the bada danda, the grand avenue to the Gundicha temple, some two miles away to the North.
    • It attracts over a million Hindu pilgrims who join the procession each year.

    Back2Basics: Puri Temple Architecture

    • Jagannath Temple is a very big temple and covers an area of 37000m2. The height of the outer wall is 6.1m.
    • It is surrounded by a high fortified wall 6.1 m high is known as Meghanada Pacheri.
    • The main portion of the temple is also surrounded by a wall known as Kurma Bheda.
    • The temple is built in Rekha Deula style and has four distinct sectional structures, namely –
    1. Deula, Vimana or Garba griha (Sanctum sanctorum) where the triad deities are lodged on the ratnavedi (Throne of Pearls)
    2. Mukhashala (Frontal porch)
    3. Nata mandir/Natamandapa, which is also known as the Jagamohan (Audience Hall/Dancing Hall), and
    4. Bhoga Mandapa (Offerings Hall)

    Try this question from CSP 2019:

    Q.Building ‘Kalyaana Mandapas’ was a notable feature in the temple construction in the kingdom of-

    (a) Chalukya (b) Chandela (c) Rashtrakuta (d) Vijayanagara

  • Sukapha: The founder of Ahom kingdom

    Recently, Assam CM ordered the arrest of a political commentator who had described Chaolung Sukapha as a “Chinese invader”.

    Practice question for mains:

    Q. Who are the Ahoms? Describe the role of Ahom Kingdom in cultural assimilation of modern-day Assam.

    Who was Chaolung Sukapha?

    • Sukapha was a 13th-century ruler who founded the Ahom kingdom that ruled Assam for six centuries. Contemporary scholars trace his roots to Burma.
    • He reached Brahmaputra valley in Assam from upper Burma in the 13th century with around 9,000 followers.
    • Sukapha is said to have left a place called Maulung ( in Yunnan, China ) in AD 1215 with eight nobles and 9,000 men, women and children — mostly men.
    • In 1235, Sukapha and his people settled in Charaideo in upper Assam after wandering about for years, defeating those who protested his advance and temporarily staying at different locations.
    • It was in Charaideo (in Assam) that Sukapha established his first small principality, sowing the seeds of further expansion of the Ahom kingdom.

    Who are the Ahoms today?

    • The founders of the Ahom kingdom had their own language and followed their own religion.
    • Over the centuries, the Ahoms accepted the Hindu religion and the Assamese language, scholars say.
    • The Ahoms embraced the language, religion and rituals of the communities living here — they did not impose theirs on those living here.
    • Today, the Ahom community is estimated to number between 4 million and 5 million.

    Why is Sukapha important in Assamese culture?

    • Sukapha’s significance — especially in today’s Assam — lies in his successful efforts towards the assimilation of different communities and tribes.
    • He developed very amicable relationships with the tribal communities living here — especially the Sutias, the Morans and the Kacharis.
    • Intermarriage also increased assimilation processes. He is widely referred to as the architect of “Bor Asom” or “greater Assam”.

  • Kodumanal Megalithic Burial Site

    The Kodumanal excavation in Erode Dist. of Tamil Nadu has threw light on burial rituals and the concept of afterlife in megalithic culture.

    Must read:

    Chapter 1 | Stone Age – Paleolithic, Mesolithic and Neolithic

    About these sites

    • The researchers have identified 250 cairn-circles at the village in Erode district.
    • Earlier excavations revealed that the site served as a trade-cum-industrial centre from 5th century BCE to 1st century BCE.
    • The rectangular chambered cists, each two metres long and six metres wide, are made of stone slabs, and the entire grave is surrounded by boulders that form a circle.
    • The grave could be of a village head or the head of the community as the size of two boulders, each facing east and west, are bigger than other boulders.
    • Believing that the deceased person will get a new life after death, pots and bowls filled with grains were placed outside the chambers.

    What are Megaliths?

    • Megaliths are the earliest surviving man-made monuments we know of—derived from the Latin mega (large) and lith (stone).
    • Megaliths were constructed either as burial sites or commemorative (non-sepulchral) memorials.
    • The former are sites with actual burial remains, such as dolmenoid cists (box-shaped stone burial chambers), cairn circles (stone circles with defined peripheries) and capstones (distinctive mushroom-shaped burial chambers found mainly in Kerala).
    • The urn or the sarcophagus containing the mortal remains was usually made of terracotta.
    • Non-sepulchral megaliths include memorial sites such as menhirs. (The line separating the two is a bit blurry, since remains have been discovered underneath otherwise non-sepulchral sites, and vice versa.)
    • In India, archaeologists trace the majority of the megaliths to the Iron Age (1500 BC to 500 BC), though some sites precede the Iron Age, extending up to 2000 BC.

    Megaliths in India

    • Megaliths are spread across the Indian subcontinent, though the bulk of them are found in peninsular India, concentrated in the states of Maharashtra (mainly in Vidarbha), Karnataka, Tamil Nadu, Kerala, Andhra Pradesh and Telangana.
    • According to archaeologists around 2,200 megalithic sites can be found in peninsular India itself, most of them unexcavated.
    • Even today, a living megalithic culture endures among some tribes such as the Gonds of central India and the Khasis of Meghalaya.

    Literary sources

    • Megalithic culture finds several references in ancient Tamil Sangam literature. For instance, menhirs are referred to as nadukal.
    • Ancient Sangam texts lay out, in detail, a step-by-step procedure for laying a memorial stone or nadukal in honour of a fallen hero.
    • Manimekalai (5th century AD), the famous Sangam epic, refers to the various kinds of burials namely cremation (cuṭuvōr), post excarnation burial (iṭuvōr), burying the deceased in a pit (toṭukuḻip paṭuvōr), rock chamber or cist burial (tāḻvāyiṉ aṭaippōr), urn burial encapped with lid (tāḻiyiṟ kavippōr).
    • Even in the Sangam age (when kingship and a well-ordained society had emerged) the above modes of burials survived.

  • What is Axone?

    A movie named Axone — also spelt akhuni —soya bean dish of Nagaland has been recently released.

    The traditional ‘Axone’ dish is very unique in itself. However, one must note that it does NOT carry any GI tag. Still, there is a possibility of it being asked in match the pair type questions.

    What is Axone?

    • Axone — also spelt akhuni — is a fermented soya bean of Nagaland, known for its distinctive flavour and smell.
    • As much an ingredient as it is a condiment, Axone used to make pickles and chutneys, or curries of pork, fish, chicken, beef etc.
    • While it is called ‘axone’ in parts of Nagaland, fermented soya bean is cooked with, eaten and known by different names in different parts of Northeast India, including Meghalaya and Mizoram, Sikkim, Manipur as well in other South, Southeast and East Asian countries.
    • Axone is prepared and eaten across Nagaland but is particularly popular among the Sumi (also Sema) tribe. They use it in every meal.

  • Traditional art of Talamaddale

    The traditional art of ‘Talamaddale’, a variant of Yakshagana theatre, has gone virtual in times of COVID-19.

    Try this question from CSP 2017:

    Q.With reference to Manipuri Sankirtana, consider the following statements:

    1. It is a song and dance performance.
    2. Cymbals are the only musical instruments used in the performance.
    3. It is performed to narrate the life and deeds of Lord Krishna.

    Which of the statements given above is/are correct?

    (a) 1, 2 and 3.

    (b) 1 and 3 only

    (c) 2 and 3 only

    (d) 1 only

    Talamaddale theatre

    • Tala-Maddale is an ancient form of performance dialogue or debate performance in Southern India in the Karavali and Malnad regions of Karnataka and Kerala.
    • The plot and content of the conversation is drawn from popular mythology but the performance mainly consists of an impromptu debate between characters involving sarcasm, puns, philosophy positions and humour.
    • The main plot is sung from the same oral texts used for the Yakshgana form of dance- drama.
    • Performers claim that this was a more intellectual rendition of the dance during the monsoon season.

    How it is different from Yakshagana?

    • Unlike the Yakshagana performance, in the conventional ‘talamaddale,’ the artists sit across in a place without any costumes and engage in testing their oratory skills based on the episode chosen.
    • If music is common for both Yakshagana performance and ‘talamaddale’, the latter has only spoken word without any dance or costumes.
    • Hence it is an art form minus dance, costumes and stage conventions.
    • It has an ‘arthadhari’ who is an orator, a ‘bhagavatha’ (singer-cum-director), and a ‘maddale’ player.

    Back2Basics: Yakshagana

    • It is the oldest theatre form popular in Karnataka.
    • It emerged in the Vijayanagara Empire and was performed by Jakkula Varu
    • It is a descriptive dance drama.
    • It is presented from dusk to dawn.
    • The stories are drawn from Ramayana, Mahabharata and other epics from both Hindu and Jain tradition.

  • In news: Raja Parba Festival

    The Prime Minister has extended his greetings to the people of Odisha for the unique Raja Parba festival.

    Match the pair based question can be asked from festivals as such with pairs of name and celebrating state. Recently, the following festivals were also in the news: Ambubachi Mela, Thrisoor Puram, Meru Jatara, Nagoba Jatara etc.

    Also, note the similarities between the Raja Parba and Ambubachi Mela …

     About Raja Parba Festival

    • Raja Parba is Odisha’s three-day unique festival celebrating the onset of monsoon and the earth’s womanhood.
    • As a mark of respect towards the earth during her menstruation days, all agricultural works, like ploughing, sowing is suspended for the three days.
    • Raja Sankranti is the first day of the Ashara month.
    • It is celebrated on the day prior to the Sankranti, (Pahili Raja), the day of Sankranti, and the day after, known as Bhu Daha or ‘Basi Raja.
    • The festival is essentially the celebration of the earth’s womanhood.
    • It is believed that during this time the Mother Earth or Bhudevi undergoes menstruation.
    • The fourth day is the day of the ‘purification bath’.
    • As it is a celebration of womanhood, a lot of the focus is on young women, who wear new clothes, apply ‘Alata’ on their feet and enjoy folk songs while swinging on decorated rope swings.

     

  • Festivals in news: Kheer Bhawani Mela

    In the UT of Jammu and Kashmir, the Annual Kheer Bhawani Mela in Tulmulla village of Ganderbal district has been cancelled by its religious trust.

    Match the pair based question can be asked from festivals as such. Recently, the following festivals were in the news: Ambubachi Mela, Thrisoor Puram, Meru Jatara, Nagoba Jatara etc.

    Try this:

    Q. Consider the following pairs:

    Traditions                                            Communities

    1. Chaliha Sahib Festival              —          Sindhis

    2. Nanda Raj Jaat Yatra                —          Gonds

    3. Wari-Warkari                               —          Santhals

    Which of the pairs given above is/are correctly matched ? (CSP 2017)

    (a) 1 only

    (b) 2 and 3 only

    (c) 1 and 3 only

    (d) None of the above

    Kheer Bhawani Mela

    • The festival witnesses lakhs of Hindu pilgrims from across the country largely the Kashmiri Pandit Community, who throngs the famous Ragyna Devi Temple which is popularly known as “Mata Kheer Bhawani”.
    • The festival falls on the auspicious day of “Zeshta Ashtami”.
    • The term kheer refers to rice pudding that is offered in the spring to propitiate the Goddess, which became part of the name of the temple.
    • The devotees have been asked to cooperate with the authorities and perform the worship of the Goddess at their homes only.
    • However, the holy rituals and Aarti of the Deity will be conducted as per the tradition which will be shared with the devotees via social media.

    Significance

    • Kheer Bhawani Mela is one of the biggest religious functions of Kashmiri Pandit Community.
    • It is believed and rather has been seen that the colour of the water in the spring around the Kheer Bhawani Temple changes its colour with the change in the circumstances of the Kashmir valley.