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GS Paper: GS1-01.Indian Culture- Salient aspects of Art Forms, Literature and Architecture from ancient to modern times.

  • Tomar king Anangpal II and his connection with Delhi

    The Union government has recently formed a committee to popularize the legacy of 11th-century Tomar king, Anangpal II.

    Revision: Delhi Sultanate and their contemporaries

    Who was Anangpal II?

    • Anangpal II, popularly known as Anangpal Tomar, belonged to the Tomar dynasty that ruled parts of present-day Delhi and Haryana between the 8th and 12th centuries.
    • The capital of Tomars changed many times from being initially at Anangpur (near Faridabad) during the reign of Anangpal I (who founded the Tomar dynasty in the 8th century), to Dhillikapuri (Delhi) during the reign of Anangpal II.
    • The Tomar rule over the region is attested by multiple inscriptions and coins, and their ancestry can be traced to the Pandavas (of the Mahabharata).
    • Anangpal Tomar II was succeeded by his grandson Prithviraj Chauhan, who was defeated by the Ghurid forces in the Battle of Tarain (present-day Haryana) after which the Delhi Sultanate was established in 1192.

    His connection with Delhi

    • Anangpal II is credited to have established and populated Delhi during his reign in the 11th century.
    • He was instrumental in populating Indraprastha and giving it its present name, Delhi.
    • The region was in ruins when he ascended the throne in the 11th century, it was he who built Lal Kot fort and Anangtal Baoli.
    • He was the founder of Dhillikapuri, which eventually became Delhi.

  • Jaapi, Xorai and Gamosa in Assam

    As the polling date draws closer, decorative jaapis (field hats), hand-woven gamosas and bell-metal xorais are making frequent appearances in Assam.

    Primarily used to felicitate important people and guests, these important symbols of Assamese identity and culture are abundantly seen in political campaigns across the state.

    Jaapi

    • The jaapi is a conical hat made of bamboo and covered with dried tokou (a palm tree found in rainforests of Upper Assam) leaves.
    • It is most often used in official functions to felicitate guests.
    • The landscape of rural Assam features a more utilitarian version, which farmers wear to protect themselves from the harsh weather, both sun and rain, while working in the fields.
    • The first possible recorded use of jaapi dates back to the Ahom-era buranjis, or chronicles. Kings and ministers would wear them then.

    Gamosa

    • The Gamosa, which literally translates to a cloth to wipe one’s body, is omnipresent in Assam, with wide-ranging uses.
    • It can be used at home as a towel (uka gamosa) or in public functions (phulam/floral gamosa) to felicitate dignitaries or celebrities.
    • The popularity of the gamosa has now traveled beyond Assam and is often used by a number of public figures.
    • It was during the anti-foreigner Assam Agitation of the early 1980s, when Assamese nationalism reached its crescendo, that the gamosa assumed a new role.

    Xorai

    • Made of bell-metal, the xorai — essentially a tray with a stand at the bottom, with or without a cover — can be found in every Assamese household.
    • While it is primarily used as an offering tray during prayers, or to serve tamale-paan (betel-nut) to guests, a xorai is also presented along with the jaapi and gamosa while felicitating someone.
    • The bulk of xorais in Assam are made in the state’s bell metal hub Sarthebari in Bajali district.

  • [pib] Development of Rakhi Garhi Archaeological Site

    Rakhi Garhi is being developed as one of the five Identified Iconic Archaeological Sites, informed the Minister of Culture and Tourism.

    Rakhi Garhi

    • The ancient site of Rakhi-Khas and Rakhi-Shahpur are collectively known as Rakhigarhi, located on the right bank of the now dried up Palaeo-channel of Drishadvati.
    • It is located in the Ghaggar-Hakra river plain in the Hissar district of Haryana.
    • Seven mounds are located here.
    • The site has yielded various stages of Harappan culture and is by far one of the largest Harappan sites in India.
    • The site shows the sequential development of the Indus culture in the now dried up Saraswati basin.

    Try this question from our AWE initiative

    Ancient Indian sculptural art is highly rich in its traditions. Trace the development ancient Indian sculpture that go back to the Indus Valley civilisation. 10 marks

    Major findings at Rakhi Garhi

    • Findings confirm both early and mature Harappan phases and include 4,600-year-old human skeletons, fortification and bricks.
    • Digging so far reveals a well-planned city with 1.92 m wide roads, a bit wider than in Kalibangan.
    • The pottery is similar to Kalibangan and Banawali.
    • Pits surrounded by walls have been found, which are thought to be for sacrificial or some religious ceremonies.
    • There are brick-lined drains to handle sewage from the houses.
    • Terracotta statues, weights, bronze artefacts, comb, copper fish hooks, needles and terracotta seals have also been found.
    • A bronze vessel has been found which is decorated with gold and silver.
    • A granary belonging to the mature Harappan phase has been found here.
    • Fire altars structures were revealed in Rakhigarhi.

    Back2Basics: Five Iconic Archaeological Sites

    The government has proposed to develop five archaeological sites as “iconic sites” with onsite museums in Rakhigarhi (Haryana), Hastinapur (Uttar Pradesh), Sivsagar (Assam), Dholavira (Gujarat) and Adichanallur (Tamil Nadu) in the Union Budget 2020-21.

    (1) Rakhigarhi

    *discussed above*

    (2) Hastinapur

    Hastinapur in the Meerut district of Uttar Pradesh finds mention in the Mahabharata and the Puranas. One of the most significant discoveries made at this site was of the “new ceramic industry”, which was named the Painted Grey Ware, which as per the report represented the relics of the early Indo-Aryans.

    (3) Sivasagar

    In Sivasagar (Assam), excavations at the Karenghar (Talatalghar) complex between 2000 and 2003 led to the discovery of buried structures in the north-western and north-eastern side of the complex. Among the structural remains found at the site were ceramic assemblages including vases, vessels, dishes, and bowls, etc. Terracotta smoking pipes were also found.

    (4) Dholavira

    Dholavira in Gujarat is located in the Khadir island of the Rann of Kutch, and like Rakhigarhi is one of the sites where the remains of the Harappan civilization have been found. It is unique because the remains of a complete water system have been found here.

    (5) Adichnallur

    Adichnallur lies in the Thoothukudi district of Tamil Nadu. The urn-burial site was first brought to light during a “haphazard excavation” by a German archaeologist in 1876. Following this, an Englishman Alexander Rae excavated the site between 1889 and 1905.

  • [pib] Conservation of Ancient Folk Cultures

    To protect, preserve & promote various forms of folk art and ancient folk cultures throughout the country including Jharkhand, Bihar and Kerala, the GoI has set up seven Zonal Cultural Centres (ZCCs) with headquarters at Patiala, Nagpur, Udaipur, Prayagraj, Kolkata, Dimapur and Thanjavur.

    What is the news?

    • Jharkhand is the member state of Eastern Zonal Cultural Centre (EZCC), Kolkata.
    • Bihar is the member state of North Central Zone Cultural Centre (NCZCC), Prayagraj and
    • Kerala is the member state of South Zone Cultural Centre (SZCC), Thanjavur.

    Note the various folk arts mentioned and their respective states:

    What are the various folk arts covered?

    There is no dedicated scheme to preserve these particular folk art forms-

    Jharkhand

    • Ancient folk cultures being preserved in Jharkhand are Faguwa Nritya, Turi Nritya, Faguwa Nritya, Turi Nritya, Paika Nritya, Hodopathy, Tribal dance (Karam Nritya).

    Bihar

    • Ancient folk cultures being preserved in Bihar are Lok Gatha “Reshma Chuharmal” (Begusarai), Lok Gatha, Godana Painting (Madhubani), Lok Natya “Hirni-Birni” (Magadh region) etc.

    Kerala

    • Ancient folk cultures being preserved in Kerala are: Poorakali, Malayankettu & Kannerpattu (Kannur), Daffumuttu (Malabar), Kanyarkali (Thrissur) and Arabanaumuttu (Kozhikode).

  • Govt. reconstitutes panel for studying mythical Sarasvati River

    The Centre has reconstituted an advisory committee to chalk out a plan for studying the mythical Sarasvati River for the next two years after the earlier panel’s term ended in 2019.

    Do you know?

    Rigveda describes India as a land of Sapta Sindhavah.

    There is a verse in Nadistuti sukta of Rigveda , hymn of praise of rivers which mentions the following 10 rivers: Ganga, Yamuna, Sarasvati, Sutudri, Parusni, Asikni, Marudvrdha , Vitasta , Arjikiya , Susoma.

    The Shutudri was Sutlej, Parushni was Ravi, Asikni was Chenab and Vitasta was Jhelum.

    Sarasvati River

    • The Sarasvati River is an extinct river mentioned in the Rig Veda and later Vedic and post-Vedic texts.
    • As a physical river, it is described as a small river ending in “a terminal lake (Samudra).
    • As the goddess Sarasvati, the main referent for the term “Sarasvati” which developed into an independent identity in post-Vedic times, she is described as a powerful river and mighty flood.
    • The Sarasvati is also considered by Hindus to exist in a metaphysical form, in which it formed a confluence with the sacred rivers Ganges and Yamuna, at the Triveni Sangam.

    Vedic reference of the river

    • Rigvedic and later Vedic texts have been used to propose identification with present-day rivers, or ancient riverbeds.
    • The Nadistuti hymn in the Rigveda (10.75) mentions the Sarasvati between the Yamuna in the east and the Sutlej in the west.
    • Later Vedic texts like the Tandya and Jaiminiya Brahmanas, as well as the Mahabharata, mention that the Sarasvati dried up in a desert.

    What led to its extinction?

    • Since the late 19th-century, scholars have proposed to identify the Rig Vedic Saraswati river with the Ghaggar-Hakra river system.
    • This flows through northwestern India and eastern Pakistan, between the Yamuna and the Sutlej.
    • Recent geophysical research suggests that the Ghaggar-Hakra system was glacier-fed until 8,000 years ago, and then became a system of monsoon-fed rivers.
    • ISRO has observed that major Indus Valley Civilization sites at Kalibangan (Rajasthan), Banawali and Rakhigarhi (Haryana), Dholavira and Lothal (Gujarat) lay along this course.
    • The Indus Valley Civilisation may have declined as a result of climatic change when the monsoons that fed the rivers diminished at around the time civilisation diminished some 4,000 years ago.

  • The legacy and return of the Bamiyan Buddhas

    Two decades later after its destruction, the Bamiyan Buddhas have been brought back to life in the form of 3D projections in an event called “A Night with Buddha”.

    Bamiyan Buddhas

    • In their Roman draperies and with two different mudras, the Bamiyan Buddhas were great examples of a confluence of Gupta, Sassanian and Hellenistic artistic styles.
    • They are said to date back to the 5th century AD and were once the tallest standing Buddhas in the world.
    • Salsal and Shamama, as they were called by the locals, rose to heights of 55 and 38 metres respectively, and were said to be male and female.
    • Salsal means “the light shines through the universe”; Shamama is “Queen Mother”.
    • The statues were set in niches on either end of a cliffside and hewn directly from the sandstone cliffs.

    Try this PYQ from CSP 2014:

    Q.Lord Buddha’s image is sometimes shown with a hand gesture called ‘Bhumisparsha Mudra’. It symbolizes-

    a) Buddha’s calling of the Earth to watch over Mara and to prevent Mara from disturbing his meditation

    b) Buddha’s calling of the Earth to witness his purity and chastity despite the temptations of Mara

    c) Buddha’s reminder to his followers that they all arise from the Earth and finally dissolve into the Earth and thus this life is transitory

    d) Both the statements ‘a’ and ‘b’ are correct in this context

    The significance of Bamiyan

    • Bamiyan is situated in the high mountains of the Hindu Kush in the central highlands of Afghanistan.
    • The valley, which is set along the line of the Bamiyan River, was once integral to the early days of the Silk Roads, providing passage for not just merchants, but also culture, religion and language.
    • When the Buddhist Kushan Empire spread, acting as a crucible of sorts, Bamiyan became a major trade, cultural and religious centre.
    • As China, India and Rome sought passage through Bamiyan, the Kushans were able to develop a syncretic (mix) culture.
    • In the rapid spread of Buddhism between the 1st to 5th centuries AD, Bamiyan’s landscape reflected the faith, especially its monastic qualities.

    Taliban’s destruction of the Buddhas

    • The hardline Taliban movement, which emerged in the early 1990s, was in control of almost 90 per cent of Afghanistan by the end of the decade.
    • The destruction of the Bamiyan Buddhas was part of this extremist culture.
    • In February 2001, the Taliban declared its intention to destroy the statues, despite condemnation and protest from governments and cultural ambassadors’ world over.

    The aftermath of the destruction

    • The Taliban’s destruction of the Bamiyan Buddhas met with global criticism, many of whom saw it as a cultural crime not just against Afghanistan but also against the idea of global syncretism.
    • Following the fall, UNESCO included the remains in its list of world heritage sites in 2003, with subsequent efforts made to restore and reconstruct.

  • [pib] Declaration of World Heritage Sites by UNESCO                 

    The Ministry of Culture and Tourism has provided some useful information about the World Heritage Sites By UNESCO in India.

    We regret for the distorted view of this newscard on the app. Pls refer to the webpage link.

    [pib] Declaration of World Heritage Sites by UNESCO                 

    World Heritage Sites in India

    • At present, India has 38 World Heritage Properties. All the sites under the Ministry are conserved as per ASI’s Conservation Policy and are in good shape.
    • ‘Dholavira: A Harappan City’ has been submitted for the nomination of World Heritage Site in 2019-2020.
    • Nomination dossiers of ‘Santiniketan, India’ and ‘Sacred Ensemble of Hoysalas’ have been submitted to UNESCO for the year 2021-22 cycle.

    WORLD HERITAGE SITES IN INDIA (38)

    CULTURAL SITES:

    Under Protection of Archaeological Survey of India (22)

    S.No. Name of Site State
    1 Agra Fort (1983) Uttar Pradesh
    2 Ajanta Caves (1983) Maharashtra
    3 Ellora Caves (1983) Maharashtra
    4 Taj Mahal (1983) Uttar Pradesh
    5 Group of Monuments at Mahabalipuram (1984) Tamil Nadu
    6 Sun Temple, Konark (1984) Odisha
    7 Churches and Convents of Goa (1986) Goa
    8 FatehpurSikri (1986) Uttar Pradesh
    9 Group of Monuments at Hampi (1986) Karnataka
    10 Khajuraho, Group of Temples (1986) Madhya Pradesh
    11 Elephanta Caves ( 1987) Maharashtra
    12 Great Living Chola Temples at Thanjavur, Gangaikondacholapuram and Darasuram (1987 & 2004) Tamil Nadu
    13 Group of Monuments at Pattadakal (1987) Karnataka
    14 Buddhist Monuments at Sanchi (1989) Madhya Pradesh
    15 Humayun’s Tomb, Delhi (1993) Delhi
    16 Qutb Minar and its Monuments, Delhi (1993) Delhi
    17 Rock Shelters of Bhimbetka (2003) Madhya Pradesh
    18 Champaner-Pavagarh Archaeological Park (2004) Gujarat
    19 Red Fort Complex, Delhi (2007) Delhi
    20 Hill Forts of Rajasthan

    1. Kumbhalgarh, Jaisalmer and Ranthambhore, Amber and Gagron Forts) (2013)

    (Amber and Gagron Forts are under protection of Rajasthan State Archaeology and Museums)

    		 Rajasthan
    21 Rani-ki-Vav (The Queen’s Stepwell) at Patan (2014) Gujarat
    22 Archaeological Site of Nalanda Mahavihara (Nalanda University) at Nalanda (2016) Bihar

     

    Under Protection of Ministry of Railways (2)

    23. Mountain Railways of India Darjeeling,(1999), Nilgiri (2005), Kalka-Shimla (2008) West Bengal, Tamil Nadu, Himachal Pradesh
    24. Chhatrapati Shivaji Terminus (formerly Victoria Terminus) (2004) Maharashtra

     

    Under Protection of Bodhgaya Temple Management Committee (1)

    25 Mahabodhi Temple Complex at Bodh Gaya, (2002) Bihar

     

    Under Protection of Rajasthan State Archaeology and Museums (1)

    26. The Jantar Mantar, Jaipur (2010) Rajasthan

     

    Under Protection of Chandigarh Administration (1)

    27. The Architectural Work of Le Corbusier, an Outstanding Contribution to the Modern Movement (2016) Chandigarh

     

    Under Protection of Ahmedabad Municipal Corporation (1)

    28. Historic City of Ahmedabad (2017) Gujarat

     

    Under Protection of Bombay Municipal Corporation (1)

    29. Victorian and Art Deco Ensemble of Mumbai (2018) Govt of Maharashtra

     

    Under Protection of Jaipur Municipal Corporation (1)

    30. Jaipur City, Rajasthan (2019) Govt of Rajasthan

     

    NATURAL SITES: (7)

    Under Protection of Ministry of Environment, Forest and Climate Changes

    31. Kaziranga National Park (1985) Assam
    32. Keoladeo National Park (1985) Rajasthan
    33. Manas Wildlife Sanctuary (1985) Assam
    34. Sunderbans National Park (1987) West Bengal
    35. Nanda Devi and Valley of Flowers National Parks (1988, 2005) Uttarakhand
    36. Western Ghats (2012) Karnataka, Kerala, Maharashtra,Tamil Nadu
    37 Great Himalayan National Park (2014) Himachal Pradesh

     

    MIXED SITE: (1)

    Under Protection of Ministry of Environment, Forest and Climate Changes

    38. Khangchendzonga National Park (2016) Sikkim

     

    Back2Basics: UNESCO World Heritage Sites

    • A World Heritage Site is a landmark or area, selected by the UN Educational, Scientific and Cultural Organization (UNESCO) for having cultural, historical, scientific or other forms of significance, which is legally protected by international treaties.
    • The sites are judged to be important for the collective and preservative interests of humanity.
    • To be selected, a WHS must be an already-classified landmark, unique in some respect as a geographically and historically identifiable place having special cultural or physical significance (such as an ancient ruin or historical structure, building, city, complex, desert, forest, island, lake, monument, mountain, or wilderness area).
    • It may signify a remarkable accomplishment of humanity, and serve as evidence of our intellectual history on the planet.
    • The sites are intended for practical conservation for posterity, which otherwise would be subject to risk from human or animal trespassing, unmonitored/uncontrolled/unrestricted access, or threat from local administrative negligence.
    • The list is maintained by the international World Heritage Program administered by the UNESCO World Heritage Committee, composed of 21 “states parties” that are elected by their General Assembly.

    UNESCO World Heritage Committee

    • The World Heritage Committee selects the sites to be listed as UNESCO World Heritage Sites, including the World Heritage List and the List of World Heritage in Danger.
    • It monitors the state of conservation of the World Heritage properties, defines the use of the World Heritage Fund and allocates financial assistance upon requests from States Parties.
    • It is composed of 21 states parties that are elected by the General Assembly of States Parties for a four-year term.
    • India is NOT a member of this Committee.

  • Assam’s Sattras and their political significance

    In poll-bound Assam, the campaigns are sought to be held in the Bartadrava Than/Sattra (monastery) in Nagaon, which is the birthplace of renowned Vaishnavite saint-reformer Srimanta Sankardeva.

    Q.Discuss the role of religion in India’s electoral politics. Discuss how identity politics is harmful to a harmonious society.

    What are Sattras?

    • Sattras are monastic institutions created as part of the 16th-century Neo-Vaishnavite reformist movement started by Vaishnavite saint-reformer Srimanta Sankaradeva (1449-1596).
    • As the saint travelled across Assam, spreading his teachings and propagating an egalitarian society, these Sattras/Thans were established as centres of religious, social and cultural reforms in the 16th century.
    • These institutions are of paramount importance and lie at the heart of Assamese culture.
    • Today, Sattras are spread across the state, promulgating Sankardeva’s unique “worship through art” approach with music (borgeet), dance (sattriya) and theatre (bhauna).

    Composition of Sattra

    • Each Sattra has a naamghar (worship hall) as its nucleus and is headed by an influential “Sattradhikar”.
    • Monks, known as bhakats, are inducted into Sattras at a young age.
    • They may or may not be celibate, depending on the kind of Sattra they are inducted into.

    What is Sankardeva’s philosophy?

    • Sankardeva propagated a form of Bhakti called eka-sharana-naam-dhrama.
    • He espoused a society based on equality and fraternity, free from caste differences, orthodox Brahmanical rituals and sacrifices.
    • His teaching focused on prayer and chanting (naam) instead of idol worship. His dharma was based on the four components of deva (god), naam (prayers), bhakats (devotees), and guru (teacher).

    Try this PYQ:

    Q. With reference to the cultural history of medieval India, consider the following statements:

    1. Siddhas (Sittars) of Tamil region were monotheistic and condemned idolatry.
    2. Lingayats of Kannada region questioned the theory of rebirth and rejected the caste hierarchy

    Which of the statements given above is/are correct?

    (a) 1 only

    (b) 2 only

    (c) Both 1 and 2

    (d) Neither 1 nor 2

    What is the relationship between the Sattra and the State?

    • During the Ahom reign, the Sattras received a lot of donations in the form of land or money from the kings.
    • Unlike temples, Sattras did not require patronage because they were self-sufficient, grew their own food and could sustain themselves.
    • However, today, it is different. Annual grants from the state and central government are doled out to Sattras, in the hope of political support.

    Do Sattras matter in elections?

    • While Sattra votes may not decide the outcome of an election, it is undeniable that the Sattras and Sattradhikars have a lot of influence.
    • There are especially Sattra-based constituencies like Nagaon, Kaliabor, Majuli, Barpeta, Bartadadrva etc.
    • Assamese families usually have ties with one Sattra, or the other.
    • That is why politicians — regardless of party are often seen visiting Sattra.

  • 10th century Buddhist Monastery uncovered in Jharkhand’s Hazaribagh

    The Archaeological Survey of India (ASI) has unearthed a Buddhist monastery, believed to be at least 900 years old, buried under a mound in a village situated in a hilly area of Hazaribagh district of Jharkhand.

    Details of the excavation

    • The findings were significant since the monastery is on the old route to Varanasi, 10 km from Sarnath, where the Buddha gave his first sermon.
    • Archaeologists found four statues of the deity Tara in Varad Mudra and six statues of the Buddha in bhumisparsa Mudra
    • So it is a significant finding as deity Tara’s statues mean this was an important centre of the Vajrayana sect of Buddhism.
    • Vajrayana is a form of Tantric Buddhism, which flourished in India from the 6th to 11th century.

    Tap to read more about Buddhism at:

    Chapter 5 | Mauryan Period (400BC – 200BC)

    Learning: Various Mudra of Buddha

    PC: Pinterest

  • Inscription on Krishnadevaraya’s death discovered

    The first-ever epigraphical reference to the date of death of Vijayanagara king Krishnadevaraya has been discovered in the Tumakuru district of Karnataka.

    Try this question from CS Mains 2016:

    Q.Krishnadevaraya, the King of Vijayanagara was not only an accomplished scholar himself, but was also a great patron of learning and literature. Discuss.

    Who was Krishnadevaraya?

    • Krishna Devaraya was the emperor of the Vijayanagara Empire during 1509–1529. He was the third ruler of the Tuluva Dynasty and is considered to be its greatest ruler.
    • He possessed the largest empire in India after the decline of the Delhi Sultanate.
    • Krishnadevaraya earned the titles Kannada Rajya Rama Ramana (lit, “Lord of the Kannada empire”), Andhra Bhoja (lit, “Andhra Bhoja(Scholar) King”) and Mooru Rayara Ganda (lit, “King of Three Kings”).
    • He became the dominant ruler of the peninsula of India by defeating the Sultans of Bijapur, Golconda, the Bahmani Sultanate and the Gajapatis of Odisha, and was one of the most powerful Hindu rulers in India.
    • Indeed, when the Mughal Emperor Babur was taking stock of the potentates of north India, Krishnadevaraya was rated the most powerful and had the most extensive empire in the subcontinent.
    • Portuguese travellers Domingo Paes and Fernao Nuniz also visited the Vijayanagara Empire during his reign.

    His literary work

    • The rule of Krishnadevaraya was an age of prolific literature in many languages, although it is also known as a golden age of Telugu literature.
    • He was fluent in many languages like Kannada, Marathi, Sanskrit, Telugu and Tamil.
    • Eight Telugu poets were regarded as eight pillars of his literary assembly and known as Ashtadiggajas. He himself composed an epic Telugu poem Amuktamalyada.
    • He took the title of Abhinava-Bhoja and Sakala-Kala-Bhoja (“Bhoja of all the arts”) in honour of Parmara emperor Bhoja who was a polymath, a master of 64 arts and a military genius.

    What does the inscription say?

    • As per the inscription, Krishnadevaraya died on October 17, 1529, Sunday.
    • Incidentally, this day was marked by a lunar eclipse.
    • The inscription also registers the gift of village Honnenahalli in Tumakuru for conducting worship to the god Veeraprasanna Hanumantha of Tumakuru.
    • The Kalahasti inscription refers to the date of Achyutaraya’s (his successor) coronation as October 21, 1529 AD.