Who among the following led a successsful military campaign against the kingdom of Srivijaya, the powerful maritime state, which ruled the Malay Peninsula, sumatra, java and the neighbouring islands?
Subject: Art and Culture
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Who among the following rulers in ancient India had assumed the titles ‘Mattavilasa’, ‘Vichitrachitta’ and ‘Gunabhara’
Who among the following rulers in ancient India had assumed the titles ‘Mattavilasa’, ‘Vichitrachitta’ and ‘Gunabhara’?
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Fa-hien (Faxian), the Chinese pilgrim, travelled to India during the reign of
Fa-hien (Faxian), the Chinese pilgrim, travelled to India during the reign of
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In which one among the following texts does the term kshetra-patni (‘mistress of the field’) originate
In which one among the following texts does the term kshetra-patni (‘mistress of the field’) originate?
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Pandit Mallikarjun Mansur, the famous classical singer from Karnataka, represented the
Pandit Mallikarjun Mansur, the famous classical singer from Karnataka, represented the:
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Which of the following pairs of the king and his dynasty in early historical Tamilakam is/are NOT correctly matched
Which of the following pairs of the king and his dynasty in early historical Tamilakam is/are NOT correctly matched?
1. Senguttuvan : Chera
2. Udiyanjeral : Chola
3. Nedunjeliyan : Pandya -
Which of the following pairs of ancient and modern names of rivers is/are correctly matched
Which of the following pairs of ancient and modern names of rivers is/are correctly matched?
1. Vitasta : Chenab
2. Asikni : Jhelum
3. Parushni : Ravi
4. Yavyavati : Beas -
Which of the following statements on the Amaravati Stupa and its relief sculpture is/are correct
Which of the following statements on the Amaravati Stupa and its relief sculpture is/are correct?
1. It was located in the lower Krishna valley.
2. In India, it was next only to the Sanchi Stupa in size.
3. The Amaravati school of sculpture made a lasting impact on the later South Indian sculpture, and its products were carried to Sri Lanka and South-east Asia. -
What does an empty seat represent in early Buddhist iconography
What does an empty seat represent in early Buddhist iconography?