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Subject: History

  • ‘Hicky’s Bengal Gazette’: India’s First Newspaper

    Why in the news?

    • World Press Freedom Day, observed annually on May 3, underscores the significance of journalism in society, tracing its roots back to pivotal moments in history.
    • Hicky’s Bengal Gazette, founded by James Augustus Hicky in 1780, marked the inception of Indian journalism, serving as a platform for social discourse and political critique.

    Who was James Augustus Hicky?

    • Born in Ireland in the 1730s, James Augustus Hicky ventured to India, then known as the “Jewel in the Crown of the British Empire“, in search of better opportunities.
    • Faced with initial setbacks, including debts that led to his imprisonment, Hicky demonstrated resilience by setting up a printing press within the jail premises.

    Establishment of ‘Hicky’s Bengal Gazette’:

    • ‘Hicky’s Bengal Gazette’ was the first newspaper ever published in India (indeed in Asia), with its inaugural edition released on January 29, 1780.
    • Hicky served as its founder-editor, aiming to cater primarily to the European community in Calcutta.
    • He initially focusing on local issues such as road repairs and maintenance.
    • The newspaper later delved into broader societal concerns, including government corruption and civic issues.
    • Despite its reputation for gossip and salacious content, the Gazette also published articles critical of the British East India Company and advocated for infrastructure development and sanitation improvements.
    • Hicky’s newspaper was printed once a week on Saturday, and retailed for Rs 1.
    • Its circulation was estimated to be around 400 copies per week, although possibly more.

    Challenges and Legal Battles:

    • The Gazette faced legal challenges, including multiple libel lawsuits filed by prominent figures such as Governor General Warren Hastings in 1780s and missionary Johann Zacharias Kiernander.
    • He described Hastings in an article as being Robert Clive’s “miserable successor”.
    • Hicky’s bold stance against powerful figures, including scathing critiques of Hastings’ expansion policies, led to his imprisonment and financial ruin due to legal fees and penalties.
    • The publication was ceased on 30 March 1782.

    Legacy and Impact:

    • Despite its eventual closure due to legal pressure and financial constraints, ‘Hicky’s Bengal Gazette’ left an indelible mark on Indian journalism.
    • Hicky’s pioneering efforts laid the groundwork for the development of a vibrant media landscape in India, inspiring subsequent generations of journalists and press pioneers.
    • The Gazette’s brief but impactful existence demonstrated the power of the press in advocating for societal change and holding the powerful to account.

    PYQ:

    [2020] The Vital-Vidhwansak, the first monthly journal to have the untouchable people as its target audience was published by:

    (a) Gopal Baba Walangkar

    (b) Jyotiba Phule

    (c) Mohandas Karamchand Gandhi

    (d) Bhimrao Ramji Ambedkar

  • Patachitra Scroll Paintings

    Why in the news?

    Patachitra Paintings of women in Paschim Medinipur’s Pingla block in West Bengal has become popular worldwide.

    About Bengal Patachitra

    • Patachitra, also spelled as Pattachitra, is a traditional form of scroll painting that originated in the eastern Indian states of Odisha and West Bengal, as well as parts of Bangladesh. The term “Patachitra” derives from Sanskrit, where “pata” means “cloth” and “chitra” means “picture.”
    • These paintings are typically created on cloth canvas, palm leaves, or paper. Artists associated with Patachitra are known as Patuas.
    • Origin: Bengal Patachitra is believed to have originated in rural Bengal, with some historical references suggesting its existence during the Pre-Pala period.
    • Themes and Style:
      • The themes of Bengal Patachitra are diverse, ranging from religious and mythological narratives to secular subjects.
      • Religious themes often depict stories from Hindu epics like Ramayana and Mahabharata, as well as folklore such as Manasha and Chandi.
      • Secular themes include important news events, accidents, scandals, and social issues.
      • Each Patachitra is accompanied by a song called Patua Sangeet, sung by the artists while unfurling the scroll.
    • Aspects of Painting:
      • Chalchitra: Background paintings associated with religious idols, such as Durga Pratima.
      • Durga Pot: Special Patachitras worshiped during Durga Puja, often featuring images of gods and goddesses.
      • Various Technique: Different districts have distinct techniques, colors, and designs. For example, Purulia Patachitras prefer burnt sienna with white and yellow patches, while Hooghly and Manbhum scrolls exhibit modernistic abstract linear treatment.
      • Artists: Bengal Patua artists, also known as Chitrakars, are concentrated in villages like Naya in the Medinipur district.
      • Colors: Bengal Patachitra typically uses natural colors derived from materials like chalk dust (for white), pauri (for yellow), cultivated indigo (for blue), bhushakali (for black), and mete sindur (for red).

  • Unveiling of Raja Ravi Varma’s Indulekha Painting

    Why in the News?

    The first true copy of Raja Ravi Varma’s painting “Indulekha” will be unveiled at Kilimanoor Palace, the birthplace of the legendary artist, on his 176th birth anniversary celebrations.

    About the Indulekha Painting:

    • The painting depicts Indulekha, the protagonist of the first modern Malayalam novel by O. Chandu Menon, published in 1889.
    • The painting holds significance as it is believed to have inspired Ravi Varma’s famous work, “Reclining Lady.”
    • The oil painting portrays Indulekha holding a letter, dated 1892.
    • It exhibits meticulous attention to detail and symmetry, characteristic of Ravi Varma’s style.

    Who was Raja Ravi Varma (1848-1906)?

    • Raja Ravi Varma was born in April 1848 in Kilimanoor, Kerala, to a family which was very close to the royals of Travancore.
    • Often referred to as the father of modern Indian art, he is widely known for his realistic portrayal of Indian gods and goddesses.
    • While he majorly painted for the royalty, he is also credited for taking art to the masses with his prints and oleographs.
    • Patronised by Ayilyam Thirunal, the then ruler of Travancore, he learnt watercolour painting from the royal painter Ramaswamy Naidu.
    • He later trained in oil painting from Dutch artist Theodore Jensen.

    Fame as a notable painter

    • Following a portrait of Maharaja Sayajirao of Baroda, he has commissioned 14 Puranic paintings for the Durbar Hall of the new Lakshmi Vilas Palace at Baroda.
    • Depicting Indian culture, Varma borrowed from episodes of Mahabharata and Ramayana for the same.
    • He also received patronage from numerous other rulers, including the Maharaja of Mysore and Maharaja of Udaipur.
    • As his popularity soared, the artist won an award for an exhibition of his paintings at Vienna in 1873.
    • He was also awarded three gold medals at the World’s Columbian Exposition in Chicago in 1893.
    • Viceroy Lord Curzon honoured him with the Kaisar-i-Hind Gold Medal for his service.

    Nature of his artforms

    • Much of his celebrated art also borrows heavily from Indian mythology.
    • In fact, he is often credited with defining the images of Indian gods and goddesses through his relatable and more realistic portrayals often painted with humans as models.
    • The depictions include Lakshmi as the goddess of wealth, Saraswati as the goddess of knowledge and wisdom, and Lord Vishnu with his consorts, Maya and Lakshmi.
    • Raja Ravi Varma aspired to take his art to the masses and the intent led him to open a Lithographic Press in Bombay in 1894.
    • The first picture printed at Varma’s press was reportedly The Birth of Shakuntala, followed by numerous mythological figures and saints such as Adi Shankaracharya.

    Major works

    • It is believed that he had made around 7,000 paintings before his death at the age of 58.
    • But only one painting is now left in ‘Chithrashala,’ the artist’s studio at Kilimanoor Palace — an unfinished portrait of ‘Parsi lady’ which was his last work.
    • Some of his popular works include ‘Lady in the Moonlight’, ‘Nair Lady Adorning Her Hair’, ‘Malabar Lady with Violin’, ‘Lady with Swarbat’, and ‘Maharashtrian Lady with Fruits’.
    [2018] The well-known painting “Bani Thani” belongs to the

    (a) Bundi school

    (b) Jaipur school

    (c) Kangra school

    (d) Kishangarh school

  • In news: Yangli Festival

    Why in the news?

    Tiwa tribals dance recently celebrated the Yangli festival at Bormarjong village, in Karbi Anglong district, Assam.

    About Tiwa Tribals

    • Tiwa tribes, also known as Lalungs, inhabit both the hills and plains of Assam and Meghalaya states.
    • They hold the status of a Scheduled Tribe in Assam.
    • The hill-dwelling Tiwa villagers engage in traditional practices such as Jhum cultivation, horticulture, and the cultivation of local crops and vegetables.
    • Their language belongs to the Tibeto-Burman linguistic group.

     About Yangli Festival

    • The Yangli festival is celebrated before starting the paddy sowing
    • It is also known as the Lakshmi Puja of the Tiwa people.
    • It is celebrated with traditional rituals, emphasizing the community’s strong ties to agriculture, their primary livelihood.
    • It serves as an occasion for prayers seeking a bountiful harvest and divine protection for crops against pests and natural calamities.
    • It is held once in 5 years.
    • In April, Khelchawa festival is celebrated by Tiwa tribes marking close of the harvest season.

    Celebratory Activities:

    • Festivities commenced with traditional rituals and vibrant dances.
    • It continues with a joyous gathering along the riverbanks.
    • It draws participation from over five hundred individuals representing various groups like Amchi, Rangkhai, and Magrat.
    • Ceremonial animal sacrifices, including poultry and goats, are performed to honour the goddess and ensure her benevolence upon the Tiwa people’s granary, known as “NoBaro.”

    PYQ:

    [2014] Every year, a month long ecologically important campaign/festival is held during which certain communities/ tribes plant saplings of fruit-bearing trees. Which of the following are such communities/tribes?

    (a) Bhutia and Lepcha

    (b) Gond and Korku

    (c) lrula and Toda

    (d) Sahariya and Agariya

  • [pib] Padma Awards for 2024

    Why in the news?

    The President of India, Smt. Droupadi Murmu presented 3 Padma Vibhushan, 8 Padma Bhushan and 55 Padma Shri Awards for the year 2024.

    About Padma Awards

    • The Padma Awards are among India’s most prestigious civilian honors.
    • It is announced annually on Republic Day, following the Bharat Ratna.
    • These awards are designed to recognize outstanding achievements across various fields and disciplines, particularly those involving public service.
    • It was introduced in 1954 along with Bharat Ratna.
    • Initially, the Padma Vibhushan had three classes: Pahela Varg, Dusra Varg, and Tisra Varg, which were renamed in 1955 as Padma Vibhushan, Padma Bhushan, and Padma Shri, respectively.

    Award Categories

    There are three categories of Padma Awards:

    1. Padma Vibhushan: This is awarded for ‘exceptional and distinguished service.’
    2. Padma Bhushan: This is for ‘distinguished service of a high order.’
    3. Padma Shri: This is given for ‘distinguished service.’

    Eligibility Criteria

    • The awards are open to all individuals regardless of race, occupation, position, or gender.
    • The awards are usually not given posthumously, but exceptions can be made in extraordinary cases.
    • A recipient can be considered for a higher category of Padma award only if at least five years have passed since their previous Padma honor. However, exceptions can be made for exceptionally deserving cases.
    • NOT ELIGIBLE: Government employees, except doctors and scientists.
    • The awards are not titles and cannot be used as prefixes or suffixes to the awardees’ names.
    • The number of awards given annually (excluding posthumous awards and those to NRIs/foreigners/OCIs) is capped at 120.

    Nomination Process

    • Nominations are reviewed by the Padma Awards Committee, formed annually by the Prime Minister.
    • The Committee, led by the Cabinet Secretary, includes the Home Secretary, Secretary to the President, and 4-6 distinguished members.
    • The Committee’s recommendations are forwarded to the Prime Minister and the President for final approval.

    Dignitaries of the Padma Awards 2024

    Recipient (Occupation/Field)
    Padma Vibhushan
    • M. Venkaiah Naidu (Former Vice-President)
    • Bindeshwar Pathak (posthumously) (Founder of Sulabh International)
    • Padma Subrahmanyam (Bharatanatyam dancer)
    Padma Bhushan
    • Mithun Chakraborty (Actor)
    • Usha Uthup (Singer)
    • Ram Naik (Former Governor of Uttar Pradesh)
    • Sitaram Jindal (Industrialist)
    • Tejas Madhusudan Patel (Cardiologist)
    • Dattatray Ambadas Mayaloo (Rajdutt) (Marathi film director)
    • Chandreshwar Prasad Thakur (Physician)
    Padma Shri
    • Rohan Bopanna (Tennis player)
    • Khalil Ahamad (Master carpet weaver)
    • Kaluram Bamaniya (Folk singer)
    • Rezwana Choudhury Bannya (Bangladeshi singer)
    • Naseem Bano (Chikankari embroidery artist)
    • Gita Roy Barman (Rajbongshi folk singer)
    • Chitta Ranjan Debbarma (Spiritual figure from Tripura)
    • Sarbeswar Basumatary (Tribal farmer from Assam)

     

    PYQ:

    [2021] Consider the following statements in respect of the Bharat Ratna and Padma Awards.

    1. Bharat Ratna and Padma Awards are titled under Article 18(1) of the Constitution of India.
    2. Padma Awards, which were instituted in the year 1954, were suspended only once.
    3. The number of Bharat Ratna Awards is restricted to a maximum of five in a particular year.

    Which of the above statements is not correct?

    (a) 1 and 2 only

    (b) 2 and 3 only

    (c) 1 and 3 only

    (d) 1, 2 and 3

     

    https://pib.gov.in/PressReleaseIframePage.aspx?PRID=2018533

  • [pib] 2550th Bhagwan Mahavir Nirvan Mahotsav

    Why in the news?

    The Prime Minister has inaugurated the 2550th Bhagwan Mahavir Nirvan Mahotsav on the occasion of Mahavir Jayanti.

    About Vardhaman Mahavir

    Description
    Birth 540 B.C.
    Birthplace Kundagrama village near Vaishali
    Family Background Belonged to the Jnatrika clan; father Siddharta was the head of the Jnathrika Kshatriya clan, and mother Trishala was a sister of Chetaka, the king of Vaishali.
    Renunciation Renounced home at the age of 30 to become an ascetic.
    Spiritual Practice Practiced austerity for 12 years.
    Attainment of Kaivalya Attained the highest spiritual knowledge called Kaivalya (conquered misery and happiness) at the age of 42.
    First Sermon Delivered his first sermon at Pava.
    Symbol Associated with the symbol of a Lion.

    Aliases include: Nayaputta, Muni, Samana, Nigantha, Brahman, and Bhagavan
    Missions Traveled to various regions including Koshala, Magadha, Mithila, Champa, etc.
    Passing Away Passed away at the age of 72 in 468 B.C. at Pavapuri in Bihar.
    Legacy Founded Jainism as it is known today; contributed significant teachings and principles to the religion.

    Everything you need to know about Jainism:

    Description
    Origin Jainism gained prominence in the 6th century B.C. when Lord Mahavira propagated the religion.
    Founder Lord Mahavira, the 24th Tirthankara, is the central figure
    Tirthankaras
    • Jainism recognizes 24 Tirthankaras or great teachers
    • Rishabhanatha being the first and Mahavira the last.
    Main Principles Jainism emphasizes the Three Jewels or Triratna:

    1. Right Faith (Samyakdarshana),
    2. Right Knowledge (Samyakjnana), and
    3. Right Conduct (Samyakcharita).
    Five Doctrines Ahimsa (non-violence), Satya (truthfulness), Asteya (non-stealing), Aparigraha (non-attachment), and Brahmacharya (chastity) are the fundamental principles of Jainism.
    Concept of God
    • Jainism does not adhere to the concept of a creator God
    • Believes in the existence of liberated souls (Siddhas) who have attained spiritual perfection.
    Major Doctrines
    1. Anekantavada: Jain doctrine of non-absolutism, recognizing that truth can have multiple perspectives or facets.
    2. Syadvada: Jain doctrine stating that all judgments are conditional and true only from certain perspectives, expressed by the term “syat” (may be).
    Sects/Schools Jainism is divided into two major sects:

    1. Digambara (sky-clad) and
    2. Svetambara (white-clad)
    Spread
    • Jainism spread gradually into regions where Brahmanical influence was weak.
    • Received royal patronage from rulers like Chandragupta Maurya
    Literature Jain literature comprises:

    1. Agama (canonical) texts, which include the direct teachings of Mahavira, and
    2. Non-agama (commentaries and elaborations) works, such as the Acaranga Sutra.
    Architecture
    • Temples, caves (layana/gumphas), statues, and ornamental pillars (manastambha), exhibiting intricate designs and religious motifs.
    • Notable Jain architecture in India includes the Dilwara Temples in Mount Abu, Rajasthan, and the Girnar and Palitana Temples in Gujarat.
    • These structures exemplify intricate craftsmanship and religious symbolism.
    Jain Councils Two significant Jain councils were held for compiling and preserving Jain scriptures and teachings:

    1. First Jain Council at Pataliputra (3rd century B.C.) and
    2. Second Jain Council at Vallabhi (512 A.D.)
    Difference from Buddhism
    • Acknowledgment of a permanent self (atman),
    • Acceptance of the varna system,
    • Belief in the concept of a soul (jiva), and
    • Advocacy of extreme asceticism ex. Santhara/Sallekhana
    Thoughts on Rebirth Acaranga Sutra: Jainism teaches the doctrine of rebirth (samsara) and various realms of existence (lokas) based on karma, with souls cyclically transmigrating through different life forms.

    PYQ:

    [2011] The Jain philosophy holds that the world is created and maintained by

    (a) Universal Law

    (b) Universal Truth

    (c) Universal Faith

    (d) Universal Soul

    [2012] With reference to the history of ancient India, which of the following was/were common to both Buddhism and Jainism?

    1. Avoidance of extremities of penance and enjoyment
    2. Indifference to the authority of the Vedas
    3. Denial of efficacy of rituals

    Select the correct answer using the codes given below:

    (a) 1 only

    (b) 2 and 3 only

    (c) 1 and 3 only

    (d) 1, 2 and 3

  • Scripting a new tribal identity

    Why in the news? 

    President of India Droupadi Murmu was being presented a book, Contributions of Tribal Leaders in the Freedom Struggle, at a National Commission for Scheduled Tribes (NCST) event.

    Contributions of Tribal Leaders in the Freedom Struggle

    • Santhal Revolution: Led by Buddhu Bhagat, Joa Bhagat, and Madara Mahato, the Santhal Revolution was a significant tribal uprising against British colonial rule in 1855. The Kols were joined by other tribes like the Hos, Mundas, and Oraons in this struggle
    • Paika Rebellion: The Paika Rebellion in 1817 was a tribal uprising against the British in Odisha. The Paikas were a warrior class who were fighting for their rights and against the exploitation by the British
    • Kol Revolt: The Kol Revolt of 1831-32 was a tribal uprising against the British in Chhattisgarh. The Kols were fighting for their rights over the land and against the exploitation by the British
    • Birsa Munda: Birsa Munda was a tribal leader from Jharkhand who led the Millenarian Movement against the British in the late 19th century. He mobilized the tribal community against the British and forced them to introduce laws protecting the land rights of tribals
    • Rani Gaidinliu: Rani Gaidinliu was a tribal leader from Nagaland who led a revolt against the British in the early 20th century. She was a spiritual leader who fought for the rights of the Nagas and against the exploitation by the British
    • Laxman Naik: Laxman Naik was a tribal leader from Odisha who led a revolt against the British in the early 20th century. He was a farmer who fought for the rights of the farmers and against the exploitation by the British

    Impact of Tribal Revolts during Freedom Struggle: 

    • The tribal revolts during the freedom struggle contributed to the very beginning of the aggression for British Raj. They revolted not against the British but their policy for Indians which were imposed on them without even knowing their culture and its significance. Later this led to the revolt of 1857, which took attention of all over the country

    Conclusion: President Droupadi Murmu received the book “Contributions of Tribal Leaders in the Freedom Struggle” at an NCST event, highlighting significant uprisings like the Santhal, Paika, and Kol revolts, emphasizing tribal resistance against British exploitation, influencing broader Indian agitation.

    Mains PYQ 

    Q Several foreigners made India their homeland and participated in various movements. Analyze their role in the Indian struggle for freedom.(UPSC IAS/2013)

  • Srinagar vies for World Craft City Tag 

    Why in the news?

    • The World Crafts Council International (WCCI) has identified Srinagar as a potential candidate for the prestigious World Craft City (WCC) designation from India.
    • Artisans in Srinagar have uniquely preserved their traditional crafts such as Pashmina shawls, carpets, and papier mâché.

    Craft Sector Statistics in Kashmir

    • The Indian National Trust for Art and Cultural Heritage-Kashmir (INTACH-K) is working with the J&K Handicrafts department to map Srinagar’s craft sector in preparation for the final nomination.
    • Srinagar boasts a rich artisanal heritage, with over 20,000 registered craftsmen engaged in various disciplines such as papier mâché, walnut wood carving, hand-knotted carpets, and more.
    • Handicrafts contribute significantly to the local economy, with approximately 2.64% of J&K’s overall economic output attributed to the sector by 2016-17.

     

    About World Craft Council (WCC International)

    Details
    What is it? Non-profit, Non-governmental organization
    Working
    • Establishment in 1964;
    • Registered in Belgium as an international association without lucrative purpose (AISBL).
    • Affiliated to the UNESCO
    Founders Kamaladevi Chattopadhay and Aileen Osborn Webb
    Purpose To promote fellowship among craftspersons worldwide, foster economic development through craft-related activities, organize exchange programs, workshops, conferences, seminars, and exhibitions, and offer encouragement and advice to artisans.
    Legal Status
    • Registered in Belgium as an international association without lucrative purpose (AISBL)
    • WCC is organized into five regions: Africa, Asia Pacific, Europe, Latin America, and North America.
    Meetings
    • European branch meets annually;
    • General Assembly occurs every four years (took place in Chennai in 2012).

    What is World Craft City (WCC) Designation?

    • The WCC initiative was launched in 2014 by the World Crafts Council AISBL (WCC-International).
    • It recognizes the pivotal role local authorities, craftspeople, and communities play in cultural, economic, and social development worldwide.
    • India has only 3 cities designated as World Craft City:
    1. Jaipur (Kundan Jadai (Gem setting), Meenakari Jewellery, Lac based craft, Gotta Patti Work etc. )
    2. Mysuru (Kinnal paintings, Sandalwood carvings, Rosewood Inlay etc. )
    3. Mamallapuram (Stone Carving continuing since Pallava dynasty (275 CE to 897 CE))

    With inputs from: https://www.wccinternational.org/craft-cities/craft-cities-asia-pacific

    PYQ:

    Consider the following pairs:

    1. Puthukkuli Shawls — Tamil Nadu
    2. Sujni Embroidery — Maharashtra
    3. Uppada Jamdani Saris — Karnataka

    Craft Heritage of which of the pairs given above is/are correct?

    (a) 1 only

    (b) 1 and 2

    (c) 3 only

    (d) 2 and 3

  • Iron Age Megalithic Sites discovered in Telangana

    Why in the news?

    • Archaeologists in Telangana have found Iron Age megalithic sites, including various structures such as large stone monuments and places with rock paintings.
    • These discoveries provide important information about the ancient civilizations that once lived in the area.

    Iron Age in India

    • India’s Iron Age ranged from approximately 1200 BCE to 200 BCE.
    • It was marked by the emergence of new archaeological cultures, including the megalithic cultures, Painted Grey Ware culture (1300–300 BCE), and the Northern Black Polished Ware (700–200 BCE).
    • This period corresponds to the transition from the Janapadas (principalities) of the Vedic period to the 16 Mahajanapadas (region-states) of the early historic period.
    • This transition culminated in the emergence of the Maurya Empire toward the end of the Iron Age.
    • Ironworking was prevalent in the Central Ganga Plain and the Eastern Vindhyas from the early second millennium BCE.
    • Sites:
    1. North India: Malhar, Dadupur, Raja Nala Ka Tila, Lahuradewa, Kosambi and Jhusi, Allahabad in present-day Uttar Pradesh.
    2. South India: Earliest Iron Age sites include Hallur in Karnataka and Adichanallur in Tamil Nadu, dating to around 1000 BCE. Mahurjhari near Nagpur was a significant site for bead manufacturing.
    • The Indian Iron Age ended coinciding with other significant events such as the decline of the Mauryan Empire and the spread of Buddhism.

     

    About the Ooragutta Megalithic Site

    • The site boasts over 200 megalithic monuments, although the exact count remains uncertain due to the dense forest and hilly terrain.
    • They are characterized by squarish or rectangular shapes, the structures at Ooragutta exhibit unique features.

    Dolmenoid Cists

    • The newly discovered monuments, termed “Dolmenoid Cists,” feature side slabs arranged to mirror the shape of the cap-stone, resulting in each cist having a distinct shape dictated by the cap-stone.
    • These monuments are estimated to date back to around 1,000 BCE.

    Rock Art Sites at Damaratogu

    • Two new rock art sites have been discovered at Damaratogu in Gundala mandal of Bhadradri Kothagudem district.
    • One of these sites, known as ‘Devarlabanda Mula‘, exclusively depicts animals and NO humans, in a rock painting.
    • It suggests a cultural significance possibly related to hunting or animal worship.
    • The absence of weapons or domestic animals in the paintings indicates that these artworks may belong to the Mesolithic age, dating anywhere between 8000 – 3000 BCE.

    Significance of Discoveries

    • These monuments resemble to “Passage Chambers” found in Europe.
    • This discovery sheds light on previously unknown architectural styles in the region and offers insights into the evolution of megalithic practices.

    PYQ:

    [2021] Consider the following pairs: ​

    (Historical place) (Well-known for)​

    1. Burzahom : Rock-cut shrines​
    2. Chandraketugarh : Terracotta art​
    3. Ganeshwar : Copper artefacts​

    Which of the pairs given above is/are correctly matched?​

    (a) 1 only

    (b) 1 and 2 only

    (c) 3 only

    (d) 2 and 3 only

  • Bhojshala-Kamal Maula Complex Dispute

    Why in the news?

    The Supreme Court has issued a cautionary note to Archaeological Survey of India (ASI) barring any physical excavation that could alter the character of the Bhojshala-Kamal Maula Complex.

    About Bhojshala Complex

    Details
    Location Dhar district, Madhya Pradesh.
    Historical Background Established by Raja Bhoj, the greatest ruler of the Parmar dynasty, as an educational institute.
    Date of Establishment 11th century.
    Transformation Originally a Goddess Wagdevi (Saraswati temple), later converted into Kamal Maulana Mosque by Muslim rulers.
    Architectural Features
    • Large open courtyard (Mahaāyata);
    • Verandah with decorated pillars (Sthāpanā);
    • Prayer hall with intricately carved ceilings (Shikharākāra).
    Inscriptions
    • Two hymns depicting the Karmavatar of Vishnu (Avatār);
    • Sarpabandha pillar inscriptions with Sanskrit alphabet and grammatical rules (Vyākaraṇa).
    Archaeological Significance Protected by the Archaeological Survey of India (ASI) as an 11th-century monument under Archaeological Sites and Remains Act, 1958

    Controversy over Bhojshala Complex

    • Religious Claims: Hindus regard the site as the temple of Goddess Wagdevi (Saraswati), while Muslims believe it to be the Kamal Maula mosque.
    • Usage Agreement: The Archaeological Survey of India (ASI) allows Hindus to pray on Tuesdays and Vasant Panchami, and Muslims to offer namaz on Fridays,

    Recent Developments

    • Vasant Panchami Dispute: A recent order allowing Hindus to worship during Basant Panchami hours led to discontent among some Right-wing activists.
    • Demand for Extended Access: Hindu groups demand all-day access to the shrine on such occasions, leading to protests and petitions filed in the High Court.

     

    Who was Raja Bhoj?

    Details
    Original name Raja Bhoja (Mihir Bhoja)
    Dynasty Gurjara-Pratihara
    Reign 836 – 885 AD
    Rise to Prominence Emerged as the paramount power in northern India, defeating rivals like the Palas and Rashtrakutas
    Capital Kannauj (Mahodaya)
    Military Strength Possessed India’s strongest cavalry, as noted by Arab traveller Sulaiman
    Title Assumed the title of “Adivaraha”; referred to as “King Baura” by Arab travellers
    Religious Affiliation Great follower of Vaishnavism
    Acknowledgment of Supremacy Acknowledged as supreme by various factions, including Arabs of Sindh, Chandalas, and Kalachuris
    Notable Feats Triumph over Pala king Devapala and Rashtrakuta king Amoghavarsha
    Legacy Renowned for his wisdom, military prowess, and patronage of Vaishnavism
    Historical Significance Marked the zenith of the Gurjara-Pratihara dynasty, leaving a lasting impact on Indian history

     

    PYQ:

    [2021] With reference to Chausath Yogini Temple situated near Morena, consider the following statements:​

    1. It is a circular temple built during the reign of Kachchhapaghata Dynasty.​
    2. It is the only circular temple built in India.​
    3. I was meant to promote the Vaishnava cult in the region.​
    4. Its design has given rise to a popular belief that it was the inspiration behind the Indian Parliament building. ​

    Which of the statements given above are correct?

    (a) 1 and 2 only

    (b) 2 and 3 only

    (c) 1 and 4 only

    (d) 2, 3 and 4 only