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Subject: History

  • Ottanthullal Artform of Kerala

    ottanthullal

    A renowned folk artist has expressed his angst over the fading participation of students in Ottanthullal Artform.

    What is Ottanthullal?

    • Ottanthullal (or Thullal, in short) is recite-and-dance art-form of Kerala.
    • It was introduced in the 18th century by the famous Malayalam poet Kunchan Nambiar (1705 – 1770).
    • It is famous for its humour and social satire, and marked by its simplicity as opposed to more complex dance-forms like Kathakali and Koodiyattam.

    Unique features

    • Ottanthullal follows the classical principles of Natyasasthra (a treatise on art compiled in the 2nd century B.C.E).
    • It is enacted into three separate versions
    1. Ottanthullal
    2. Seethankan thullal
    3. Parayan thullal
    • The Ottanthullal is the most popular among the three varieties of Thullal.

    How is it performed?

    • The performance uses elaborate expressions and stories recited in verses to bring important mythological tales and stories to life.
    • The costume and makeup of the performer are similar to that of a Kathakali artist.
    • It is performed at temple festivals and cultural programmes.
    • The performer is supported by a singer who repeats the verses and is accompanied by an orchestra of mridangam or thoppimaddalam (percussions) and cymbals.

     

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  • Sagol Kangjei: Ancient Polo of Manipur

    sagol kangjei

    It is believed that Sagol Kangjei, the modern-day Polo game originated in Manipur.

    Sagol Kangjei

    • Modern polo is said to have originated from Sagol Kangjei, a sport indigenous to Manipur.
    • In this players ride horses, specifically the Manipur Ponies, which are referenced in records dating back to the 14th century.

    Conserving the breed: Manipur Pony

    • The Manipur Pony is one of five recognised equine breeds of India, and has a powerful cultural significance for Manipuri society.
    • The pony has been indispensable with Manipuri society for its socio-cultural association for centuries.
    • Its antecedents, however, are not clear, as one source stated Tibetan ponies as its ancestors while another source stated its origin to be a cross between Mongolian wild horse & Arabian.
    • The 17th Quinquennial Livestock Census 2003 had recorded 1,898 Manipur Ponies; the number fell to 1,101 in the 19th Quinquennial Livestock Census in 2012.

     

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  • In news: Ahilyabai Holkar (1725 –1795)

    ahilya

    There has been a proposal from the district administration to rename the Western Maharashtra city of Ahmednagar as ‘Punyashlok Ahilyadevi Nagar’, after the 18th century Malwa queen, Ahilyabai Holkar.

    History of Ahmednagar

    • Ahmednagar lies in the Western region of Maharashtra.
    • It has been a part of some prominent kingdoms, starting from 240 B.C. when the vicinity is mentioned in the reference to the Mauryan Emperor Ashok.
    • The Rashtrakuta Dynasty, the Western Chalukyas, and then the Delhi Sultanate ruled over the region in the Medieval period.
    • In the last case, the rule was not direct, and a revolt by Afghan soldier Alladin Hasan Gangu led to the establishment of the Bahmani kingdom in the Deccan.
    • After some time, Ahmednagar (then known as Nizamshahi) became one of the five independent kingdoms to emerge from that empire.

    How did the city of Ahmednagar first get its name?

    • In 1486, Malik Ahmad Nizam Shah became the Bahmani Sultanate’s Prime Minister.
    • He fought back an attempt by the king to dislodge him from power, and defeated the army of the Bahamani kingdom near Ahmednagar in May 1490.
    • Finally, in 1494 he laid the foundation of a city close to where he defeated the army, on the left bank of Sina river, and named it after himself: Ahmednagar.

    Who was Ahilyabai Holkar?

    • Born in Chondi village of Ahmednagar to the village head Mankoji Shinde, on May 31, 1725, Ahilyabai was one of the few women rulers of Medieval India.
    • While the education of girls and women was rare at that time, Mankoji insisted on it for his daughter.
    • When she was eight years old, Malhar Rao Holkar, the army commander to Peshwa Bajirao, is believed to have spotted her at a temple service in Chondi.
    • Impressed by her devotion and character, he decided to get his son, Khande Rao, married to her.
    • Ahilyabai took control of Malwa after her husband’s death in the Battle of Kumbher against the king of Bharatpur in 1754.

    Her Administration

    • She brought about two important changes in the administration, both divergences from the traditions of her era.
    • She vested the military power in Tukoji Holkar, a confidante of her father-in-law though not related.
    • She separated the state’s revenue from the personal use of the ruling family. Her personal expenses were met from inherited wealth and the land holdings she had.

    Role in demolished temple re-construction

    • From Gangotri to Rameshwaram, and from Dwarka to Gaya, she spent money on rebuilding temples destroyed under the Mughal rule.
    • The most significant one, however, is the current Kashi Vishwanath Temple in Varanasi.
    • Destroyed by the Mughal ruler Aurangzeb to build the Gyaanvapi mosque, the temple was restored in its current form by Ahilyabai in the year 1780, 111 years after its destruction.
    • The Somnath temple, witness to the regular destruction by a host of aggressors over the centuries, was restored in 1783 by all the Maratha confederates, with a significant contributions from Ahilyabai.
    • With temples and rest areas in Kedarnath, Srisailam, Omkareshwar and Ujjain, Ahilyabai contributed to the improvement of facilities at other holy sites hosting Jyotirlingas too.

    Conclusion

    • Ahilyabai died in the year 1795 at the age of 70.
    • Her legacy is not documented in a structured way in history textbooks or popular references either.
    • Part of the problem is the general absence of any non-Mughal, non-British narratives in contemporary Indian history books.

     

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  • Dhokra Art of West Bengal

    dhokra

    This newscard is an excerpt from the articles published in TH.

    Do you know?

    The dancing girl from Mohenjo-Daro (c. 2300 – 1750 BCE) is not just the most famous piece of art from the Harappan Civilisation, it is also one of the finest examples of metal art from that period.

    dhokra

    But did you know that this world-famous figurine is also the oldest example of a unique metal casting tradition called Dhokra that survives to this day in parts of India?

    Dhokra Art

    • Named after a nomadic tribe called ‘Dhokra Damar’, the art of Dhokra was originally found in the region from Bankura to Dariapur in Bengal, and across the metal-rich regions of Odisha and Madhya Pradesh.
    • Today, it is practiced in the tribal belt across present-day Jharkhand, West Bengal, Odisha, Chhattisgarh and Telangana.
    • The Dhokra artistes first make a clay model out of wax, which is then replaced with molten metal, either brass or bronze, through a lost-wax metal cast.

    What is Dhokra?

    • Dhokra is a metal casted art that uses the ancient lost-wax casting technique.
    • This art is said to be the first of its kind to use a non-ferrous metal like copper and its alloys – brass (a mix of zinc and copper) or bronze (tin and copper) which do not contain iron.
    • It uses the process of annealing, where a metal is heated to very high temperatures and allowed to cool slowly.
    • The casting is done using two kinds of processes – the traditional, hollow-casting method and solid casting. Solid casting is predominant in Telangana, whereas hollow casting is used in Central and Eastern India.

    Symbolism of Dhokra

    • With its roots in ancient civilisations, Dhokra represents a primitive lifestyle and the beliefs of people, going back to the age of hunting.
    • This is why figures of elephants, owls, horses and tortoises are commonly seen in Dhokra art.
    • The elephant symbolises wisdom and masculinity; the horse motion; owl prosperity and death; and the tortoise femininity.
    • In Hindu mythology, these iconic symbols also have stories behind them.
    • The world is imagined to rest on four elephants, standing on the shell of a tortoise.
    • The tortoise, considered as an avatar of Lord Vishnu, carries the world on his back, holding up the earth and the sea.

     

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  • 3 more sites added to UNESCO’s tentative list of World Heritage Sites

    Gujarat’s Vadnagar town, the iconic Sun Temple at Modhera, and the rock cut sculptures of Unakoti in Tripura have been added to the tentative list of UNCESO World Heritage Sites.

    What is UNESCO tentative list?

    • The UNESCO tentative list is an inventory of those properties which each State Party intends to consider for nomination.
    • With these 3 sites, India now has 52 sites on UNESCO Tentative List.

    About the sites

    (1) Sun Temple, Modhera

    unesco

    • The Sun Temple at Modhera is located on the left bank of the river Pushpavati, a tributary of river Rupan in Becharaji taluka of Mehsana district.
    • The temple description states that it is built in Maru-gurjara architectural style, consists of the main temple shrine (garbhagriha), a hall (gadhamandapa), an outer hall or assembly hall (Sabhamandapa or rangamandapa) and a sacred pool (Kunda), which is now called Ramakunda.
    • This east-facing temple is built with bright yellow sandstone.
    • It is the earliest of such temples which set trends in architectural and decorative details, representing the Solanki style at its best.

    (2) Vadnagar

    unesco

    • Vadnagar is a historic town, which had continuous habitation for more than 2,700 years.
    • A multi-layered historic town, the history of Vadnagar stretches back to nearly 8th century BCE.
    • The town still retains a large number of historic buildings that are primarily religious and residential in nature.
    • It has evolved with time and has an early historic fortified settlement, hinterland port, centre for industries of shells and beads, late medieval town, religious centre/temple town, a significant junction on trade routes and mercantile town.
    • Rampart datable to second century BCE, fortification along the lake from third-fourth century CE, findings of Indo-Pacific glass beads and marine shells, palaeo-seismic evidence evidently point towards historical authenticity of the town.

    (3) Unakoti

    unesco

    • Located in the northeastern region of Tripura, Unakoti is known as an ancient holy place associated with Shaiva worship.
    • It is famously known as the ‘Angkor Wat of the North-East’
    • The structures of the rock-cut sculptures are gigantic and have distinct mongoloid features and display almost the same mystical charm as the spellbinding figures in the Angkor Wat temple of Cambodia.

    Back2Basics: UNESCO World Heritage Sites

    • A World Heritage Site is a landmark or area, selected by the UN Educational, Scientific and Cultural Organization (UNESCO) for having cultural, historical, scientific or other forms of significance, which is legally protected by international treaties.
    • The sites are judged to be important for the collective and preservative interests of humanity.
    • To be selected, a WHS must be an already-classified landmark, unique in some respect as a geographically and historically identifiable place having special cultural or physical significance (such as an ancient ruin or historical structure, building, city, complex, desert, forest, island, lake, monument, mountain, or wilderness area).
    • It may signify a remarkable accomplishment of humanity, and serve as evidence of our intellectual history on the planet.
    • The sites are intended for practical conservation for posterity, which otherwise would be subject to risk from human or animal trespassing, unmonitored/uncontrolled/unrestricted access, or threat from local administrative negligence.
    • The list is maintained by the international World Heritage Program administered by the UNESCO World Heritage Committee, composed of 21 “states parties” that are elected by their General Assembly.

    UNESCO World Heritage Committee

    • The World Heritage Committee selects the sites to be listed as UNESCO World Heritage Sites, including the World Heritage List and the List of World Heritage in Danger.
    • It monitors the state of conservation of the World Heritage properties, defines the use of the World Heritage Fund and allocates financial assistance upon requests from States Parties.
    • It is composed of 21 states parties that are elected by the General Assembly of States Parties for a four-year term.
    • India is NOT a member of this Committee.

     

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  • What Ambedkar said about Buddhism ‘being better than Marxism’

    While his views on Buddhism being superior to other religions are well-known, Ambedkar also believed the Buddha’s path to be superior to the popular religion-rejecting philosophy, Marxism.

    Marxist view of religion

    • Marx saw religion as a conservative force that prevented social change by creating false consciousness.
    • Marx once said- “Religion is the opium of the people. It is the sigh of the oppressed creature, the heart of a heartless world, and the soul of our soulless conditions.”
    • The end goal of Marxism is to achieve a classless society throughout the world.

    How Dr. Ambedkar compared Buddhism to Marxism?

    • Ambedkar has compared Buddhism with Marxism, saying that while both strive for the same end of a just and happy society.
    • The means propounded by Buddha are superior to those of Marx.
    • It is just simple that Marx was modern and Buddha ancient.
    • If the Marxists keep back their prejudices and study the Buddha and understand what he stood for I feel sure that they will change their attitude, Ambedkar writes.

    Similarities between the two

    • In showing the similarities between Buddhism and Marxism, Ambedkar first condenses the basic philosophy of both into neat bullet points.
    • For Buddhism, Dr. Ambedkar lists key points:
    1. The function of Religion is to reconstruct the world and to make it happy and not to explain its origin or its end;
    2. That private ownership of property brings power to one class and sorrow to another;
    3. That it is necessary for the good of Society that this sorrow be removed by removing its cause; and
    4. All human beings are equal.
    • Of Marx, he says all that is left “is a residue of fire”:
    1. The function of philosophy is to reconstruct the world and not to waste its time in explaining the origin of the world;
    2. That private ownership of property brings power to one class and sorrow to another through exploitation;
    3. That it is necessary for the good of society that the sorrow be removed by the abolition of private property.”

    How abolition of private property works under Buddhism?

    • Dr Ambedkar says Buddhism’s commitment to abolishment of private property is apparent in how its ‘Bhikshus’ give up all worldly goods.
    • He says the rules for Bhikhshus owning property or possessions are “far more rigorous than are to be found in communism in Russia.”
    • To establish a happy and fair society, the Buddha had laid down a path for believers.
    • The means adopted by the Buddha were to convert a man by changing his moral disposition to follow the path voluntarily.

    Key difference: Violent means

    • The means adopted by the Communists are equally clear, short and swift. They are (1) Violence and (2) Dictatorship of the Proletariat.
    • It is now clear what are the similarities and differences between Buddha and Karl Marx.
    • The differences are about the means. The end is common to both.
    • The driving force of India’s Constitution also says Buddha was a democrat.
    • As to Dictatorship, the Buddha would have none of it. He was born a democrat and he died a democrat, Ambedkar writes.

     

    Try this PYQ:

    Q. Karl Marx explained the process of class struggle with the help of which one of the following theories?

    (a) Empirical liberalism.

    (b) Existentialism.

    (c) Darwin’s theory of evolution.

    (d) Dialectical materialism.

     

    [wpdiscuz-feedback id=”x41ztc7vwh” question=”Please leave a feedback on this” opened=”1″]Post your answers here.[/wpdiscuz-feedback]

     

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  • Festival in news: Cuttack Baliyatra

    baliyatra

    In his address to the Indian diaspora in Bali on the sidelines of the G20 summit, PM Modi mentioned the annual Baliyatra on the banks of the Mahanadi in Cuttack, which celebrates the ancient trade relations between India and Indonesia.

    Baliyatra

    • Baliyatra/ Balijatra, literally ‘voyage to Bali’, is one of India’s largest open-air fairs.
    • It is organised every year to commemorate the 2,000-year-old maritime and cultural links between ancient Kalinga (today’s Odisha) and Bali and other South and Southeast Asian regions.

    Origins of the festival

    • The origins of the festival, which begins on Kartik Purnima (full moon night in the month of Kartik) can be traced back more than 1,000 years.
    • The Bay of Bengal region had several ports, and sadhavas (traders) traditionally began their voyage across the sea on this auspicious day, when the winds were favourable for the boats, known as boita, to sail.
    • The traders would set sail to distant lands of Bali, as well as Java (at the time of the voyage known as “Yawadvipa”), Sumatra, Borneo (all in Indonesia), and Sri Lanka (formerly Ceylon) for trade and cultural expansion.
    • According to historians, popular items of trade between Kalinga and Southeast Asia included pepper, cinnamon, cardamom, silk, camphor, gold, and jewellery.
    • Even today, thousands of people across Odisha sail decorative miniature boats made of banana stems, paper, or thermocol to celebrate boita bandana, or the worshipping of the boats.

     

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  • Handloom in news: Patan Patola

    patola

    At the G20 summit, Prime Minister gifted traditional artworks from Gujarat- the ‘Patan Patola’ scarf to his Italian counterpart Giorgia Meloni.

    What is Patan Patola?

    • The ancient art of double ikat or Patola woven in pure silk dates back to the 11th century.
    • The Patola fabrics bear an equal intensity of colours and design on both sides.
    • This peculiar quality has its origins in an intricate and difficult technique of dyeing or knot dyeing, known as ‘bandhani’, on the warp and weft separately before weaving.

    How is it woven?

    patola

    • Patola is woven on primitive hand-operated harness looms made out of rosewood and bamboo strips. The loom lies on a slant.
    • The other commonly worn Patola is the Rajkot Patola, woven on a flat loom.
    • The process involves warp and weft silk threads that are tied with cotton thread on portions marked with the proposed design.
    • This tied portion then remains unexposed to colours while dyeing, which is followed by tying, untying, redyeing and dyeing in different shades.
    • Single and primary colours are applied one after another as mixed shades develop by overlapping. This makes the design stand out.

    Who weaves it?

    • The last surviving family into Patola weaving is the Salvi family in Patan.
    • From the oldest 70-year-old Rohit to the youngest 37-year-old Savan, the entire nine member-family of five men and four women is engaged with this art form.
    • The Salvi family shared that before World War II, Indonesia was the major buyer of Patolas.
    • Legend has it that King Kumarpal of the Solanki dynasty invited some 700 families of Patola weavers from Jalna (Maharashtra) to settle in Patan in North Gujarat, and the Salvis are among them.
    • The family has also been honoured with several national awards.

    How costly it is?

    • While possessing and wearing a Patola is considered a matter of pride, the fabric has largely remained inaccessible to common people because of its high price.
    • The base price of a Patola saree in the Patan weave starts from Rs 1.5 lakh up and can go up to Rs 6 lakh.
    • A typical 46-inch dupatta or scarf sells in the range of Rs 80,000, depending on the intricacy of the design.

     

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  • Who was Nadaprabhu Kempegowda?

    kempegowda

    PM unveiled a 108-feet tall bronze statue of ‘Nadaprabhu’ Kempegowda in Bengaluru, credited to be the city’s founder.

    Who was Nadaprabhu Kempegowda?

    • Nadaprabhu Kempegowda, a 16th century chieftain of the Vijayanagara empire, is credited as the founder of Bengaluru.
    • It is said that he conceived the idea of a new city while hunting with his minister, and later marked its territory by erecting towers in four corners of the proposed city.
    • Kempegowda is also known to have developed around 1,000 lakes in the city to cater to drinking and agricultural needs.
    • He was from the dominant agricultural Vokkaliga community in south Karnataka.

    Political motives behind

    • Kempegowda is an iconic figure among Karnataka’s second most dominant Vokkaliga community after Lingayats.
    • Political parties plan to woo the Vokkaliga community by honoring Kempegowda.
    • The statue would be known as the ‘Statue of Prosperity’.

     

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  • In news: Wangala Dance of Garo Tribe

    wangala

    This newscard is an excerpt from a picture in the print edition of TH.

    Wangala Dance

    wangala

    • Wangala is also called the festival of “The Hundred Drums“.
    • It is a harvest festival celebrated by the Garo tribe in Meghalaya, Nagaland and Assam and Greater Mymensingh in Bangladesh.
    • In this post-harvest festival, they give thanks to Misi Saljong the sun god, for blessing the people with a rich harvest.
    • Wangala is celebrated in the months from September to December, with different villages setting different dates for the occasion.

    Course of celebration

    • The ceremony performed on first day is known as “Ragula” is performed inside the house of the chief.
    • On the second day is known as “Kakkat“.
    • Folks dressed in their colorful costumes with feathered headgears dance to the tune of music played on long oval-shaped drums.
    • While the men beat the drums, the line moves forward in rhythmic accord.
    • The ‘orchestra’ of men includes drums, gong and flutes, punctuated by the sonorous music of an primitive flute made of buffalo horn.

     

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