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Subject: History

  • Places in news: Pandav Leni Complex

    The Archaeological Survey of India (ASI) has found three more caves in the Trirashmi Buddhist cave complex, also known as Pandav Leni, near Nashik, Maharashtra.

    Answer this PYQ first, in the comment box:

    Q.There are only two known examples of cave paintings of the Gupta period in ancient India. One of these is paintings of Ajanta caves. Where is the other surviving example of Gupta paintings?

    (a) Bagh caves

    (b) Ellora caves

    (c) Lomas Rishi cave

    (d) Nasik caves

    Pandav Leni Complex

    • The Pandav Leni Complex or Nasik Caves are a group of 23 caves carved between the 1st century BCE and the 3rd century CE.
    • Also called Trirashmi Buddhist caves, this complex was first documented in 1823 by Captain James Delamaine and is now an ASI- protected site.
    • Though additional sculptures were added up to about the 6th century, it is a major landmark of changes in Buddhist devotional practices.
    • Most of the caves are viharas except for Cave 18 which is a chaitya of the 1st century BCE.
    • The style of some of the elaborate pillars or columns, for example in caves 3 and 10, is an important example of the development of the form.
    • The “Pandavleni” name sometimes given to the Nasik Caves has nothing to do with the characters Pandavas, characters in the Mahabharata epic.
    • Other caves in the area are Karla Caves, Bhaja Caves, Patan Cave, and Bedse Caves.

  • Reclining Buddha and his various other depictions in art

    On this Buddha Jayanti, Buddha Purnima, or Vesak — India’s largest statue of the Reclining Buddha was to have been installed at Bodh Gaya. The ceremony has been put off due to Covid-19 restrictions.

    The Reclining Buddha

    • A reclining Buddha statue or image represents The Buddha during his last illness, about to enter Parinirvana, the stage of great salvation after death that can only be attained by enlightened souls.
    • The Buddha’s death came when he was 80 years old, in a state of meditation, in Kushinagar in eastern Uttar Pradesh, close to the state’s border with Bihar.

    Answer this PYQ from CSP 2014 in the comment box:

    Q.Lord Buddha’s image is sometimes shown with a hand gesture called ‘Bhumisparsha Mudra’. It symbolizes-

    a) Buddha’s calling of the Earth to watch over Mara and to prevent Mara from disturbing his meditation

    b) Buddha’s calling of the Earth to witness his purity and chastity despite the temptations of Mara

    c) Buddha’s reminder to his followers that they all arise from the Earth and finally dissolve into the Earth and thus this life is transitory

    d) Both the statements ‘a’ and ‘b’ are correct in this context

    Significance of the position

    • Buddha is lying on his right side, his head resting on a cushion or relying on his right elbow, supporting his head with his hand.
    • After the Buddha’s death, his followers decide to build a statue of him lying down.
    • It is a popular iconographic depiction in Buddhism and is meant to show that all beings have the potential to be awakened and be released from the cycle of death and rebirth.

    Connection with Gandhara Art

    • The Reclining Buddha was first depicted in Gandhara art, which began in the period between 50 BC and 75 AD, and peaked during the Kushana period from the first to the fifth centuries AD.
    • Since the Buddha was against idol worship, in the centuries immediately following his Parinirvana (483 BC), his representation was through symbols.
    • As the devotional aspect subsequently entered Buddhist practice, however, iconographic representations of The Buddha began.

    Try this question from CS Mains 2016:

    Q.Early Buddhist Stupa-art, while depicting folk motifs and narratives, successfully expounds Buddhist ideals. Elucidate.

    Reclining Buddha outside India

    • In Sri Lanka and India, the Buddha is mostly shown in sitting postures, while the reclining postures are more prevalent in Thailand and other parts of southeast Asia.
    • There are several statues of the Reclining Buddha in China, Thailand, Japan, Indonesia, and Malaysia.
    • The largest in the world is the 600-foot Winsein Tawya Buddha built-in 1992 in Mawlamyine, Myanmar.
    • In the late 15th century, a 70-meter statue of the Reclining Buddha was built at the Hindu temple site of Baphuon in Cambodia’s Angkor.
    • The Bhamala Buddha Parinirvana in Pakistan’s Khyber Pakhtunkhwa province, which dates back to the 2nd century AD, is considered the oldest statue of its kind in the world.

    Reclining Buddha in India

    • Cave No. 26 of the UNESCO World Heritage Site of Ajanta contains a 24-foot-long and nine-foot-tall sculpture of the Reclining Buddha, believed to have been carved in the 5th century AD.
    • It shows the Buddha reclining on his right side, and behind him are two sala trees.
    • At the base of the sculpture are his begging bowl, a water pitcher and walking stick.
    • While his disciples are shown sitting in mourning, celestial beings are shown on top, rejoicing in anticipation of the Buddha’s arrival in heaven.

    Mediation Buddha 

    Sanchi Stupa and Bharhut Stupa: This is part of the aniconic phase of early Buddhist iconography. In early Buddhist art, the empty seat or empty throne symbolized the presence of the Buddha without depicting him in human form.

    Back2Basics: Mudras of Buddha

    Dharmachakra Mudra

    • It is also called as the gesture of ‘Teaching of the Wheel of Dharma’ that describes one of the most important moments in the Buddha’s life as he performed the Dharmachakra mudra in his first sermon in Sarnath after he attained enlightenment.
    • It is performed with the help of both the hands which are held against the chest, the left facing inward, covering the right facing outward.

    Dhyan Mudra

    • It is also known as Samadhi or Yoga Mudra.
    • It is performed with the help of two hands, which are placed on the lap and place the right hand on the left hand with stretched fingers (thumbs facing upwards and other fingers of both the hand resting on each other.)
    • This is the characteristic gesture of Buddha Shakyamuni, Dhyani Buddha Amitabh and the Medicine Buddha.

    Bhumisparsa Mudra

    • This gesture is also known as ‘touching the Earth’, which represents the moment of the Buddha’s awakening as he claims the earth as the witness of his enlightenment.
    • It is performed with the help of the right hand, which is held above the right knee, reaching toward the ground with the palm inward while touching the lotus throne.

    Varada Mudra

    • This mudra represents the offering, welcome, charity, giving, compassion and sincerity.
    • It is performed with the help of both the hands in which palm of right hand is facing forward and fingers extended and left hand palm placed near centre with extended fingers.

    Karana Mudra

    • It signifies the warding off of evil which is performed by raising the index and the little finger, and folding the other fingers.
    • It helps in reducing sickness or negative thoughts.

    Vajra Mudra

    • This gesture denotes the fiery thunderbolt that symbolises the five elements—air, water, fire, earth, and metal.
    • It is performed with the help of right fist and left forefinger, which is placed by enclosing the erect forefinger of the left hand in the right fist with the tip of the right forefinger touching (or curled around) the tip of the left forefinger.

    Vitarka Mudra

    • It signifies the discussion and transmission of the teachings of the Buddha.
    • It is performed by joining the tips of the thumb and the index fingers together while keeping the other fingers straight, which is just like the Abhaya Mudra and Varada Mudra but in this mudra the thumbs touch the index fingers.

    Abhaya Mudra

    • It is a gesture of fearlessness or blessing that represents the protection, peace, benevolence, and dispelling of fear.
    • It is performed with the help of right hand by raising to shoulder height with bent arm, and the face of palm will be facing outward with fingers upright whereas the left hand hanging down while standing.

    Uttarabodhi Mudra

    • This denotes the supreme enlightenment through connecting oneself with divine universal energy.
    • It is performed with the help of both the hands, which are placed at the heart with the index fingers touching and pointing upwards and the remaining fingers intertwined.

    Anjali Mudra

    • It is also called Namaskara Mudra or Hridayanjali Mudra that represents the gesture of greeting, prayer and adoration.
    • It is performed by pressing the palms of the hands together in which the hands are held at the heart chakra with thumbs resting lightly against the sternum.

  • 6 UNESCO heritage sites added in India

    Six sites have been added to India’s tentative list of UNESCO world heritage sites.

    Which are the 6 sites?

    1. Ganga ghats in Varanasi
    2. Temples of Kancheepuram in Tamil Nadu
    3. Satpura Tiger Reserve in Madhya Pradesh
    4. Maratha military architecture in Maharashtra
    5. Hire Bengal megalithic site in Karnataka and
    6. Bhedaghat-Lametaghat of Narmada Valley in Madhya Pradesh

    [1] Ghats of Varanasi

    • The Ganges riverfront of Varanasi, Uttar Pradesh, has been vying for the UNESCO tag for several years now.
    • The Ganga river with its riverfront ghats also fulfil the criteria of Cultural Landscapes as designated in Article 1 of the Convention and specifically that of a cultural landscape/
    • It retains an active social role in contemporary society closely associated with the traditional way of life, and in which the evolutionary process is still in progress.

    [2] Temples of Kanchipuram

    • Synonymous with spirituality, serenity, and silk, the temple town of Kanchipuram in Tamil Nadu, is dotted with ancient temples that are architectural marvels and a visual treat, states incredibleindia.org.
    • Situated on the banks of River Vegavathi, this historical city once had 1,000 temples, of which only 126 (108 Shaiva and 18 Vaishnava) now remain.
    • Its rich legacy has been the endowment of the Pallava dynasty, which made the region it’s capital between the 6th and 7th centuries and lavished upon its architectural gems that are a fine example of Dravidian styles.

    [3] Satpura Tiger Reserve

    • Located in Madhya Pradesh, the Satpura National Park is home to 26 species of the Himalayan region including reptiles, and 42 species of Nilgiri areas.
    • It is the largest tiger-occupied forest and also has the largest tiger population.
    • The website also states the place has more than 50 rock shelters with paintings that are 1500 to 10,000 years old.

    [4] Maratha Military Architecture in Maharashtra

    • There are 12 forts in Maharashtra dating back to the era of the 17th-century Maratha king Chhatrapati Shivaji.
    • They are namely Shivneri (the birthplace of Shivaji); Raigad (the capital fort rebuilt for the coronation of the Maratha king), Torna (the first fort of the Maratha empire), Rajgad, Salher-Mulher, Panhala, Pratapgad, Lohagad, Sindhudurg, Padmadurga (Kasa), Vijaydurg and Kolaba.
    • This highlight how the formation of Military Landscape in the form of hill and sea forts as a response to hilly terrain in the area is of outstanding universal value.

    [5] Megalithic site of Hire Benkal

    • The 2,800-years-old megalithic site of Hire Benkal in Karnataka is one of the largest prehistoric megalithic settlements where some funerary monuments are still intact.
    • The granite structures are burial monuments that may also have served many ritual purposes.
    • Due to the extremely valuable collection of Neolithic monuments, the site was proposed for recognition.

    [6] Bhedaghat-Lametaghat in Narmada Valley- Jabalpur

    • Bhedaghat, often referred to as the Grand Canyon of India, is a town in the Jabalpur district, around 25 km from Jabalpur.
    • It is known for its marble rocks and their various morphological forms on either side of the Narmada River which flows through the gorge states whcunesco.org.
    • It has also been observed that the magical marble mountains assume different colours and even shapes of animals and other living forms as one moves through them.
    • Several dinosaur fossils have been found in the Narmada valley, particularly in Bhedaghat-Lametghat area of Jabalpur. In 1828, the first Dinosaur fossil was collected from Lameta Bed by William Sleeman.
    • River Narmada narrows down on its way through marble rocks and plunges in a waterfall giving out the appearance of a smoke cascade.

  • Shigmo Festival of Goa

    The Shigmo or the Goan Carnival celebrations may be terminated this year due to rising covid cases.

    Try this PYQ from CSP 2017:

    Q.Consider the following pairs:

    Traditions                                            Communities

    1. Chaliha Sahib Festival              —          Sindhis
    2. Nanda Raj Jaat Yatra                —          Gonds
    3. Wari-Warkari                            —          Santhals

    Which of the pairs given above is/are correctly matched?

    (a) 1 only

    (b) 2 and 3 only

    (c) 1 and 3 only

    (d) None of the above

    What is Shigmo or Shigmotsav?

    • Shigmo is the celebration of a ‘rich, golden harvest of paddy’ by the tribal communities of Goa.
    • Agricultural communities including the Kunbis, Gawdas and Velips celebrate the festival that also marks the onset of spring.
    • Shigmo celebrations last over a fortnight in the months of Phalgun-Chaitra months of the Hindu calendar that correspond with March-April every year.

    Various activities in celebrations

    • The festival begins with ‘Naman’ that is the invocation of the local folk deities on the village ‘maand’ or the village stage.
    • It is held to the beats of percussion instruments like the Ghumat, Dhol, Mhadle and Tashe by the male folk.
    • This is called the ‘romta mell’ that moves from one village to another.
    • The celebration is replete with traditional, colourful costumes, mythological installations, painted faces and costumes of various hues.
    • Folk dances like Ghodemodini (a dance of equestrian warriors), Gopha and Phugadi are among the many dances performed by the participating communities.

  • Tomar king Anangpal II and his connection with Delhi

    The Union government has recently formed a committee to popularize the legacy of 11th-century Tomar king, Anangpal II.

    Revision: Delhi Sultanate and their contemporaries

    Who was Anangpal II?

    • Anangpal II, popularly known as Anangpal Tomar, belonged to the Tomar dynasty that ruled parts of present-day Delhi and Haryana between the 8th and 12th centuries.
    • The capital of Tomars changed many times from being initially at Anangpur (near Faridabad) during the reign of Anangpal I (who founded the Tomar dynasty in the 8th century), to Dhillikapuri (Delhi) during the reign of Anangpal II.
    • The Tomar rule over the region is attested by multiple inscriptions and coins, and their ancestry can be traced to the Pandavas (of the Mahabharata).
    • Anangpal Tomar II was succeeded by his grandson Prithviraj Chauhan, who was defeated by the Ghurid forces in the Battle of Tarain (present-day Haryana) after which the Delhi Sultanate was established in 1192.

    His connection with Delhi

    • Anangpal II is credited to have established and populated Delhi during his reign in the 11th century.
    • He was instrumental in populating Indraprastha and giving it its present name, Delhi.
    • The region was in ruins when he ascended the throne in the 11th century, it was he who built Lal Kot fort and Anangtal Baoli.
    • He was the founder of Dhillikapuri, which eventually became Delhi.

  • Jaapi, Xorai and Gamosa in Assam

    As the polling date draws closer, decorative jaapis (field hats), hand-woven gamosas and bell-metal xorais are making frequent appearances in Assam.

    Primarily used to felicitate important people and guests, these important symbols of Assamese identity and culture are abundantly seen in political campaigns across the state.

    Jaapi

    • The jaapi is a conical hat made of bamboo and covered with dried tokou (a palm tree found in rainforests of Upper Assam) leaves.
    • It is most often used in official functions to felicitate guests.
    • The landscape of rural Assam features a more utilitarian version, which farmers wear to protect themselves from the harsh weather, both sun and rain, while working in the fields.
    • The first possible recorded use of jaapi dates back to the Ahom-era buranjis, or chronicles. Kings and ministers would wear them then.

    Gamosa

    • The Gamosa, which literally translates to a cloth to wipe one’s body, is omnipresent in Assam, with wide-ranging uses.
    • It can be used at home as a towel (uka gamosa) or in public functions (phulam/floral gamosa) to felicitate dignitaries or celebrities.
    • The popularity of the gamosa has now traveled beyond Assam and is often used by a number of public figures.
    • It was during the anti-foreigner Assam Agitation of the early 1980s, when Assamese nationalism reached its crescendo, that the gamosa assumed a new role.

    Xorai

    • Made of bell-metal, the xorai — essentially a tray with a stand at the bottom, with or without a cover — can be found in every Assamese household.
    • While it is primarily used as an offering tray during prayers, or to serve tamale-paan (betel-nut) to guests, a xorai is also presented along with the jaapi and gamosa while felicitating someone.
    • The bulk of xorais in Assam are made in the state’s bell metal hub Sarthebari in Bajali district.

  • [pib] Development of Rakhi Garhi Archaeological Site

    Rakhi Garhi is being developed as one of the five Identified Iconic Archaeological Sites, informed the Minister of Culture and Tourism.

    Rakhi Garhi

    • The ancient site of Rakhi-Khas and Rakhi-Shahpur are collectively known as Rakhigarhi, located on the right bank of the now dried up Palaeo-channel of Drishadvati.
    • It is located in the Ghaggar-Hakra river plain in the Hissar district of Haryana.
    • Seven mounds are located here.
    • The site has yielded various stages of Harappan culture and is by far one of the largest Harappan sites in India.
    • The site shows the sequential development of the Indus culture in the now dried up Saraswati basin.

    Try this question from our AWE initiative

    Ancient Indian sculptural art is highly rich in its traditions. Trace the development ancient Indian sculpture that go back to the Indus Valley civilisation. 10 marks

    Major findings at Rakhi Garhi

    • Findings confirm both early and mature Harappan phases and include 4,600-year-old human skeletons, fortification and bricks.
    • Digging so far reveals a well-planned city with 1.92 m wide roads, a bit wider than in Kalibangan.
    • The pottery is similar to Kalibangan and Banawali.
    • Pits surrounded by walls have been found, which are thought to be for sacrificial or some religious ceremonies.
    • There are brick-lined drains to handle sewage from the houses.
    • Terracotta statues, weights, bronze artefacts, comb, copper fish hooks, needles and terracotta seals have also been found.
    • A bronze vessel has been found which is decorated with gold and silver.
    • A granary belonging to the mature Harappan phase has been found here.
    • Fire altars structures were revealed in Rakhigarhi.

    Back2Basics: Five Iconic Archaeological Sites

    The government has proposed to develop five archaeological sites as “iconic sites” with onsite museums in Rakhigarhi (Haryana), Hastinapur (Uttar Pradesh), Sivsagar (Assam), Dholavira (Gujarat) and Adichanallur (Tamil Nadu) in the Union Budget 2020-21.

    (1) Rakhigarhi

    *discussed above*

    (2) Hastinapur

    Hastinapur in the Meerut district of Uttar Pradesh finds mention in the Mahabharata and the Puranas. One of the most significant discoveries made at this site was of the “new ceramic industry”, which was named the Painted Grey Ware, which as per the report represented the relics of the early Indo-Aryans.

    (3) Sivasagar

    In Sivasagar (Assam), excavations at the Karenghar (Talatalghar) complex between 2000 and 2003 led to the discovery of buried structures in the north-western and north-eastern side of the complex. Among the structural remains found at the site were ceramic assemblages including vases, vessels, dishes, and bowls, etc. Terracotta smoking pipes were also found.

    (4) Dholavira

    Dholavira in Gujarat is located in the Khadir island of the Rann of Kutch, and like Rakhigarhi is one of the sites where the remains of the Harappan civilization have been found. It is unique because the remains of a complete water system have been found here.

    (5) Adichnallur

    Adichnallur lies in the Thoothukudi district of Tamil Nadu. The urn-burial site was first brought to light during a “haphazard excavation” by a German archaeologist in 1876. Following this, an Englishman Alexander Rae excavated the site between 1889 and 1905.

  • [pib] Conservation of Ancient Folk Cultures

    To protect, preserve & promote various forms of folk art and ancient folk cultures throughout the country including Jharkhand, Bihar and Kerala, the GoI has set up seven Zonal Cultural Centres (ZCCs) with headquarters at Patiala, Nagpur, Udaipur, Prayagraj, Kolkata, Dimapur and Thanjavur.

    What is the news?

    • Jharkhand is the member state of Eastern Zonal Cultural Centre (EZCC), Kolkata.
    • Bihar is the member state of North Central Zone Cultural Centre (NCZCC), Prayagraj and
    • Kerala is the member state of South Zone Cultural Centre (SZCC), Thanjavur.

    Note the various folk arts mentioned and their respective states:

    What are the various folk arts covered?

    There is no dedicated scheme to preserve these particular folk art forms-

    Jharkhand

    • Ancient folk cultures being preserved in Jharkhand are Faguwa Nritya, Turi Nritya, Faguwa Nritya, Turi Nritya, Paika Nritya, Hodopathy, Tribal dance (Karam Nritya).

    Bihar

    • Ancient folk cultures being preserved in Bihar are Lok Gatha “Reshma Chuharmal” (Begusarai), Lok Gatha, Godana Painting (Madhubani), Lok Natya “Hirni-Birni” (Magadh region) etc.

    Kerala

    • Ancient folk cultures being preserved in Kerala are: Poorakali, Malayankettu & Kannerpattu (Kannur), Daffumuttu (Malabar), Kanyarkali (Thrissur) and Arabanaumuttu (Kozhikode).

  • Govt. reconstitutes panel for studying mythical Sarasvati River

    The Centre has reconstituted an advisory committee to chalk out a plan for studying the mythical Sarasvati River for the next two years after the earlier panel’s term ended in 2019.

    Do you know?

    Rigveda describes India as a land of Sapta Sindhavah.

    There is a verse in Nadistuti sukta of Rigveda , hymn of praise of rivers which mentions the following 10 rivers: Ganga, Yamuna, Sarasvati, Sutudri, Parusni, Asikni, Marudvrdha , Vitasta , Arjikiya , Susoma.

    The Shutudri was Sutlej, Parushni was Ravi, Asikni was Chenab and Vitasta was Jhelum.

    Sarasvati River

    • The Sarasvati River is an extinct river mentioned in the Rig Veda and later Vedic and post-Vedic texts.
    • As a physical river, it is described as a small river ending in “a terminal lake (Samudra).
    • As the goddess Sarasvati, the main referent for the term “Sarasvati” which developed into an independent identity in post-Vedic times, she is described as a powerful river and mighty flood.
    • The Sarasvati is also considered by Hindus to exist in a metaphysical form, in which it formed a confluence with the sacred rivers Ganges and Yamuna, at the Triveni Sangam.

    Vedic reference of the river

    • Rigvedic and later Vedic texts have been used to propose identification with present-day rivers, or ancient riverbeds.
    • The Nadistuti hymn in the Rigveda (10.75) mentions the Sarasvati between the Yamuna in the east and the Sutlej in the west.
    • Later Vedic texts like the Tandya and Jaiminiya Brahmanas, as well as the Mahabharata, mention that the Sarasvati dried up in a desert.

    What led to its extinction?

    • Since the late 19th-century, scholars have proposed to identify the Rig Vedic Saraswati river with the Ghaggar-Hakra river system.
    • This flows through northwestern India and eastern Pakistan, between the Yamuna and the Sutlej.
    • Recent geophysical research suggests that the Ghaggar-Hakra system was glacier-fed until 8,000 years ago, and then became a system of monsoon-fed rivers.
    • ISRO has observed that major Indus Valley Civilization sites at Kalibangan (Rajasthan), Banawali and Rakhigarhi (Haryana), Dholavira and Lothal (Gujarat) lay along this course.
    • The Indus Valley Civilisation may have declined as a result of climatic change when the monsoons that fed the rivers diminished at around the time civilisation diminished some 4,000 years ago.

  • The legacy and return of the Bamiyan Buddhas

    Two decades later after its destruction, the Bamiyan Buddhas have been brought back to life in the form of 3D projections in an event called “A Night with Buddha”.

    Bamiyan Buddhas

    • In their Roman draperies and with two different mudras, the Bamiyan Buddhas were great examples of a confluence of Gupta, Sassanian and Hellenistic artistic styles.
    • They are said to date back to the 5th century AD and were once the tallest standing Buddhas in the world.
    • Salsal and Shamama, as they were called by the locals, rose to heights of 55 and 38 metres respectively, and were said to be male and female.
    • Salsal means “the light shines through the universe”; Shamama is “Queen Mother”.
    • The statues were set in niches on either end of a cliffside and hewn directly from the sandstone cliffs.

    Try this PYQ from CSP 2014:

    Q.Lord Buddha’s image is sometimes shown with a hand gesture called ‘Bhumisparsha Mudra’. It symbolizes-

    a) Buddha’s calling of the Earth to watch over Mara and to prevent Mara from disturbing his meditation

    b) Buddha’s calling of the Earth to witness his purity and chastity despite the temptations of Mara

    c) Buddha’s reminder to his followers that they all arise from the Earth and finally dissolve into the Earth and thus this life is transitory

    d) Both the statements ‘a’ and ‘b’ are correct in this context

    The significance of Bamiyan

    • Bamiyan is situated in the high mountains of the Hindu Kush in the central highlands of Afghanistan.
    • The valley, which is set along the line of the Bamiyan River, was once integral to the early days of the Silk Roads, providing passage for not just merchants, but also culture, religion and language.
    • When the Buddhist Kushan Empire spread, acting as a crucible of sorts, Bamiyan became a major trade, cultural and religious centre.
    • As China, India and Rome sought passage through Bamiyan, the Kushans were able to develop a syncretic (mix) culture.
    • In the rapid spread of Buddhism between the 1st to 5th centuries AD, Bamiyan’s landscape reflected the faith, especially its monastic qualities.

    Taliban’s destruction of the Buddhas

    • The hardline Taliban movement, which emerged in the early 1990s, was in control of almost 90 per cent of Afghanistan by the end of the decade.
    • The destruction of the Bamiyan Buddhas was part of this extremist culture.
    • In February 2001, the Taliban declared its intention to destroy the statues, despite condemnation and protest from governments and cultural ambassadors’ world over.

    The aftermath of the destruction

    • The Taliban’s destruction of the Bamiyan Buddhas met with global criticism, many of whom saw it as a cultural crime not just against Afghanistan but also against the idea of global syncretism.
    • Following the fall, UNESCO included the remains in its list of world heritage sites in 2003, with subsequent efforts made to restore and reconstruct.