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Subject: History

  • Who was Raja Ravi Varma?

    Ahead of the 175th birth anniversary fete of the legendary artist Raja Ravi Varma, erstwhile royal family of Kilimanoor has urged the Union government to posthumously confer the Bharat Ratna, the country’s highest civilian award, on him.

    Raja Ravi Varma

    • Raja Ravi Varma was born in April 1848 in Kilimanoor, Kerala, to a family which was very close to the royals of Travancore.
    • Often referred to as the father of modern Indian art, he is widely known for his realistic portrayal of Indian gods and goddesses.
    • While he majorly painted for the royalty, he is also credited for taking art to the masses with his prints and oleographs.
    • At a young age, he would draw animals and everyday scenes on the walls in indigenous colours made from natural materials such as leaves, flowers and soil.
    • His uncle, Raja Raja Varma, noticed this and encouraged his talent.
    • Patronised by Ayilyam Thirunal, the then ruler of Travancore, he learnt watercolour painting from the royal painter Ramaswamy Naidu, and later trained in oil painting from Dutch artist Theodore Jensen.

    How he become an artist of the royals?

    • Varma became a much sought-after artist for the aristocrats and was commissioned several portraits in late 19th century.
    • Arguably, at one point, he became so popular that the Kilimanoor Palace in Kerala opened a post office due to the sheer number of painting requests that would come in for him.
    • He travelled across India extensively, for work and inspiration.

    Fame as a notable painter

    • Following a portrait of Maharaja Sayajirao of Baroda, he has commissioned 14 Puranic paintings for the Durbar Hall of the new Lakshmi Vilas Palace at Baroda.
    • Depicting Indian culture, Varma borrowed from episodes of Mahabharata and Ramayana for the same.
    • He also received patronage from numerous other rulers, including the Maharaja of Mysore and Maharaja of Udaipur.
    • As his popularity soared, the artist won an award for an exhibition of his paintings at Vienna in 1873.
    • He was also awarded three gold medals at the World’s Columbian Exposition in Chicago in 1893.

    Nature of his artforms

    • Much of his celebrated art also borrows heavily from Indian mythology.
    • In fact, he is often credited with defining the images of Indian gods and goddesses through his relatable and more realistic portrayals often painted with humans as models.
    • The depictions include Lakshmi as the goddess of wealth, Saraswati as the goddess of knowledge and wisdom, and Lord Vishnu with his consorts, Maya and Lakshmi.

    How he took Indian art to the masses?

    • Raja Ravi Varma aspired to take his art to the masses and the intent led him to open a Lithographic Press in Bombay in 1894.
    • The idea, reportedly, came from Sir T Madhava Rao, former Dewan of Travancore and later Baroda, in a letter where he pointed out to Varma that since it was impossible for him to meet the large demand for his work, it would be ideal for him to send some of his select works to Europe and have them produced as oleographs.
    • Varma, instead, chose to establish a printing press of his own.
    • The first picture printed at Varma’s press was reportedly The Birth of Shakuntala, followed by numerous mythological figures and saints such as Adi Shankaracharya.

    Major works

    • It is believed that he had made around 7,000 paintings before his death at the age of 58.
    • But only one painting is now left in ‘Chithrashala,’ the artist’s studio at Kilimanoor Palace — an unfinished portrait of ‘Parsi lady’ which was his last work.
    • Some of his popular works include ‘Lady in the Moonlight’, ‘Nair Lady Adorning Her Hair’, ‘Malabar Lady with Violin’, ‘Lady with Swarbat’, and ‘Maharashtrian Lady with Fruits’.

    Try this PYQ:

     

    There are only two known examples of cave paintings of the Gupta period in ancient India. One of these is paintings of Ajanta caves. Where is the other surviving example of Gupta paintings?

    (a) Bagh caves

    (b) Ellora caves

    (c) Lomas Rishi cave

    (d) Nasik caves

     

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    Back2Basics: Bharat Ratna

    • Bharat Ratna – ‘Jewel of India’ is the highest civilian award of the country.
    • It is conferred for exceptional Service to the nation in various fields such as Science arts, literature and recognition of public service of the highest order.
    • The award can be granted posthumously and since its establishment, seven awards were granted posthumously.
    • The award was established by formal President of India Rajendra Prasad on 2nd January 1954.
    • The concept of awarding this award posthumously was not there in the original statute declared in January 1954.
    • Provision to award posthumously was finally added in January 1966 statute of this prestigious award.
    • The medallion is cast in Bronze.
    • The medallion is designed like the leaf of a pipal tree with a sunburst in the centre and Bharat Ratna is engraved underneath it.

     

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  • Tribal Revolts President Murmu invoked in her inaugural speech

    Addressing the nation after being sworn in, President Murmu invoked four tribal revolutions that she said had strengthened tribal contribution to the freedom struggle.

    [1] Santhal revolution

    • On June 30, 1855, over 10,000 Santhals were mobilised by their leaders — Kanho Murmu, Chand Murmu, Bhairab Murmu and Sidho Murmu – to revolt against the East India Company over oppression by revenue officials, zamindars, and corrupt moneylenders.
    • The landmark event in tribal history, referred to as Santhal Hul, took place in Bhognadih village in present-day Jharkhand.
    • Soon after their open rebellion, Santhals took to arms to resist imposition of East India Company laws.
    • The seeds of the protracted rebellion, however, were sown in 1832 where the East India Company created Damin-i-koh region in the forested belt of Rajmahal hills, and invited the Santhals to settle there.
    • Over the years, Santhals found themselves at the receiving end of exploitative practices aided by the British.
    • After the rebellion broke out in 1855, both sides continued clashing till the uprising was crushed in 1856.
    • The British defeated the Santhals using modern firearms and war elephants in decisive action in which both Sidho and Kanho died.

    [2] Paika rebellion

    • In several recent descriptions, the 1817 Paika Rebellion in Odisha’s Khurda is referred to as the “original” first war of Indian Independence.
    • That year, the Paikas – a class of military retainers traditionally recruited by the kings of Odisha – revolted against the British colonial rulers mainly over being dispossessed of their land holdings.
    • In the run-up to the revolt, the British had dethroned and exiled the Khurda king in 1803, and then started introducing new revenue settlements.
    • For Paikas, who were into rendering martial services in return for hereditary rent-free land (nish-kar jagirs) and titles, this disruption meant losing both their estates and social standing.
    • The trigger for the revolt came as some 400 Kondhs descended from the Ghumusar area to rise against the British.
    • Bakshi Jagabandhu Bidyadhar Mohapatra Bharamarbar Rai, the highest-ranking military general of the banished Khurda king, led an army of Paikas to join the uprising of the Kondhs.
    • The Paikas set fire to government buildings in Banapur, killed policemen and looted the treasury and the British salt agent’s ship docked on the Chilika.
    • They then proceeded to Khurda and killed several British officials.
    • Over the next few months, the Paikas fought bloody battles at several places, but the colonial army gradually crushed the revolt.
    • Bakshi Jagabandhu escaped to the jungles, and stayed out of reach of the British until 1825, when he finally surrendered under negotiated terms.

    [3] Kol revolt

    • The Kols, tribal people from the Chhota Nagpur area, rose in revolt against the British in 1831.
    • The trigger here too was the gradual takeover of tribal land and property by non-tribal settlers who were aided by new land laws.
    • The simmering discontent over the economic exploitation of the original inhabitants led to an uprising led by Buddhu Bhagat, Joa Bhagat and Madara Mahato among others.
    • The Kols were joined by other tribes like the Hos, Mundas and Oraons.
    • The tribals fought with traditional weapons taking the battle to colonial forces who finally overpowered them with modern weaponry.
    • The uprising, which spread to areas like Ranchi, Hazaribagh, Palamau, and Manbhum and continued for almost two years before being snuffed out, mainly targeted colonial officials and private money-lenders.

    [4] Bhil uprising

    • After the British intruded into the Bhil territory in Maharashtra’s Khandesh region, the tribals pushed back fearing exploitation under the new regime in 1818.
    • The revolt was led by their leader, Sewaram and was brutally crushed using the British military might.
    • This uprising again erupted in 1825 as the Bhils sought to take advantage of reverses being suffered by the British in the first Anglo-Burmese war.

    Also read:

    Important Rebellions and Peasant Movements

     

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  • [pib] Anushilan Samiti

    Union Education and Skill Development Minister has urged NCERT and the Education fraternity to include enough information about Anushilan Samiti, especially in the upcoming National Curriculum Framework

    Anushilan Samiti

    • Anushilan Samiti was an Indian fitness club, which was actually used as an underground society for anti-British revolutionaries.
    • It was founded by Satish Chandra Pramatha Mitra, Aurobindo Ghose and Sarala Devi.
    • In the first quarter of the 20th century it supported revolutionary violence as the means for ending British rule in India.
    • The organisation arose from a conglomeration of local youth groups and gyms (akhara) in Bengal in 1902.
    • It had two prominent, somewhat independent, arms in East and West Bengal, Dhaka Anushilan Samiti (centred in Dhaka), and the Jugantar group (centred in Calcutta).
    • It challenged British rule in India by engaging in militant nationalism, including bombings, assassinations, and politically motivated violence.

    Revolutionary activities

    • The Samiti collaborated with other revolutionary organisations in India and abroad.
    • It was led by the nationalists Aurobindo Ghosh and his brother Barindra Ghosh, influenced by philosophies like Italian Nationalism, and the Pan-Asianism of Kakuzo Okakura.
    • The Samiti was involved in a number of noted incidents of revolutionary attacks against British interests and administration in India, including early attempts to assassinate British Raj officials.
    • These were followed by the 1912 attempt on the life of the Viceroy of India, and the Seditious conspiracy during World War I, led by Rash Behari Bose and Jatindranath Mukherjee respectively.

    Defiance from militant nationalism

    • The organisation moved away from its philosophy of violence in the 1920s due to the influence of the Indian National Congress and the Gandhian non-violent movement.
    • A section of the group, notably those associated with Sachindranath Sanyal, remained active in the revolutionary movement, founding the Hindustan Republican Association in north India.
    • A number of Congress leaders from Bengal, especially Subhash Chandra Bose, were accused by the British Government of having links with the organisation during this time.
    • The Samiti’s violent and radical philosophy revived in the 1930s, when it was involved in the Kakori conspiracy, the Chittagong armoury raid, and other actions against the administration in British-occupied India.

    Other personalities associated with Anushilan Samiti

    • Legends like, Deshabandhu Chittaranjan Das, Surendranath Tagore, Jatindranath Banerjee, Bagha Jatin were associated with Anushilan Samiti.
    • Dr Hedgewar who established the Rashtriya Swayamsevak Sangh (RSS) was also an alumnus of the Samity.

     

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  • Who were Raja Serfoji and Sivaji?

    A 19th-century painting of Raja Serfoji and his son Sivaji, which was stolen from Saraswathi Mahal, Thanjavur, a few years ago has been traced to the Peabody Essex Museum, Massachusetts, in the US.

    Who was Raja Serfoji?

    • For long, the rulers of Thanjavur had been devoid of absolute power.
    • Serfoji, placed by the British on the throne over his stepbrother Amar Singh, died in 1832.
    • His only son Sivaji ruled until 1855.
    • However, he had no male successor.
    • Thanjavur became a casualty of Lord Dalhousie’s infamous ‘Doctrine of Lapse’, and it got absorbed into British-ruled Indian provinces.
    • The painting, which has Raja Serfoji and his young son, according to some historians, was probably painted between 1822 and 1827 and kept in the Saraswathi Mahal.

    Back2Basics: Doctrine of Lapse

    • Between 1848 and 1856, Lord Dalhousie, the Governor-General of India, devised the Doctrine of Lapse as an annexation policy.
    • It was an idea to annex those states which have no heir.
    • They lose the right of ruling, and it will not be reverted by the adoption of a child.
    • It was one of the key components that added to the 1857 revolt.

    Features of the doctrine

    • Any princely state or any territory under the direct influence of the British, as a vassal state under the British Subsidiary System, would inevitably be annexed if the ruler was either “manifestly incompetent or died without a direct heir”.
    • It ousted the age-old right of an Indian ruler without an heir to select a successor.
    • Additionally, the British decided whether potential rulers were competent enough or not.

    Annexations made under this policy

    Annexation           Year

    Satara                1848

    Jaitpur                1849

    Sambalpur            1849

    Baghat               1850

    Udaipur              1852

    Jhansi                 1853

    Nagpur               1854

     

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  • Anayoottu Ritual of Kerala

    Anayoottu, an annual ritual at the Sree Vadakkunnathan Temple, Thrissur was recently held.

    Why in news?

    • There is a history behind this annual ritual at the temple.
    • Kerala’s elephant pooram was selected, along with other cultural forms of the country, for display at the opening ceremony of the Asian Games held in Delhi in 1982.
    • Elephants were transported all throughout the country to New Delhi.

    What is Anayoottu?

    • The Aanayoottu (gaja pooja/ feeding of elephants) is a festival held in the precincts of the Vadakkunnathan temple in City of Thrissur, in Kerala.
    • The festival falls on the first day of the month of Karkkidakam (timed against the Malayalam calendar), which coincides with the month of July.
    • It involves a number of unadorned elephants being positioned amid a multitude of people for being worshipped and fed.
    • Crowds throng the temple to feed the elephants.

    Mythology behind

    • It is believed that offering poojas and delicious feed to the elephants is a way to satisfy Lord Ganesha—the god of wealth and of the fulfillment of wishes.
    • The Vadakkunnathan temple, which is considered to be one of the oldest Shiva temples in southern India, has hosted the Aanayottoo event for the past few years.

     

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  • In news: National Emblem of India

    A day after the National Emblem cast on top of the under-construction Parliament unveiled, controversy has erupted over its aggressive posture.

    National Emblem of India

    • On 26 January 1950, a representation of the Lion Capital of Ashoka placed above the motto, Satyameva Jayate, was adopted as the State Emblem of India.
    • The emblem is an adaptation of the Lion Capital of Ashoka, an ancient sculpture dating back to 280 BCE during the reign of the Maurya Empire.
    • It was originally made of Chunar sandstone.
    • The statue is a three-dimensional emblem showing four lions.

    Features of the emblem

    • The actual Sarnath capital features four Asiatic lions standing back to back, symbolizing power, courage, confidence, and pride, mounted on a circular base.
    • At the bottom is a horse and a bull, and at its center is a Dharma chakra.
    • The abacus is girded with a frieze of sculptures in high relief of The Lion of the North,
    • The Horse of the West, The Bull of the South, and The Elephant of the East, separated by intervening wheels, over a lotus in full bloom, exemplify the fountainhead of life and creative inspiration.
    • Carved from a single block of sandstone, the polished capital is crowned by the Wheel of the Law.

    Historical significance

    • One of the Buddha’s names is ‘Shakya Simha’, meaning ‘Lion of the Shakyas’.
    • The Buddha’s first sermon at Sarnath was known as the ‘Simhanada’ (Lion roar) of the Buddha.

     

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  • Sannati and Kanaganahalli Buddhist Sites

    Left almost unattended to for 20 years after excavation, the ancient Buddhist site on the bank of Bhima river near Kanaganahalli (forming part of Sannati site) in Kalaburagi district, has finally got some attention.

    About Sannati

    • Sannati is a small village on the banks of the River Bhima in Chittapur Taluka of Kalaburagi (Gulbarga).
    • It came into prominence after the collapse of the roof of the Kali temple in Chandralamba temple complex in 1986.
    • The collapse revealed the historically valuable Ashokan edicts written in Prakrit language and Brahmi script at the foundations of the temple, attracting historians from across India.
    • While the Stupa is believed to be one of the largest of its time.
    • The stone-portrait is considered to be the only surviving image of the Mauryan Emperor which had the inscription ‘Raya Asoko’ in Brahmi on it.

    Significance of Sannati

    • Further revelations led to the discovery of the magnificent Maha Stupa, which had been referred to as Adholoka Maha-Chaitya (The Great Stupa of the Netherworlds) in the inscriptions.
    • More importantly, a sculpture-portrait of Ashoka seated on his throne with his queens was also discovered.
    • Historians believe that the Sannati Ranamandal (war zone) was a fortified area spread over 210 acres, of which only a couple of acres have been excavated so far.

    Try this PYQ:

    In which of the following relief sculpture inscriptions is ‘Ranyo Ashokan’ (King Ashoka) mentioned along with the stone portrait of Ashoka?

    (a) Kanganahalli

    (b) Sanchi

    (c) Shahbazgarhi

    (d) Sohgaura

     

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  • 100 years of Rampa or Manyam Rebellion

    Hundred years ago, in August 1922 the “Rampa Rebellion” or “Manyam Rebellion” took place in the forests of the Godavari Agency in the Madras Presidency.

    Rampa Rebellion

    • The Rampa Rebellion of 1922, also known as the Manyam Rebellion, was a tribal uprising led by Alluri Sitarama Raju in Godavari Agency.
    • It began in August 1922 and lasted until the capture and killing of Raju in May 1924.
    • Forced labour, embargoes on collecting minor forest produce and bans on tribal agriculture practices led to severe distress among the Koyas in the area.
    • Sitarama Raju did not belong to the tribal community, but understood the restrictions that the British colonial administration placed on the tribal way of life.

    Background of the revolt

    • The Rampa administrative area comprised around 1,800 square km and had a mostly tribal population of approximately 28,000.
    • They had traditionally been able to support their food requirements through the use, in particular, of the podu system, whereby each year some areas of jungle forest were burned to clear land for cultivation.
    • The British Raj authorities had wanted to improve the economic usefulness of lands in Godavari Agency, an area that was noted for the prevalence of malaria and blackwater fever.
    • The traditional cultivation methods were greatly hindered when the authorities took control of the forests, mostly for commercial purposes such as produce for building railways and ships.
    • This was done regardless of the needs of the tribal people.

    Why did people revolt?

    • The tribal people of the forested hills, who now faced starvation had long felt that the legal system favoured the muttadar (estate landowners) and merchants.
    • This had also resulted in the earlier Rampa Rebellion of 1879.
    • Now they objected also to the Raj laws and continued actions that hindered their economic position and meant they had to find alternate livelihood.
    • They objected to attempts at that time to use them as forced labour in the construction of a road in the area.

    Role of Raju

    • Raju was a charismatic sanyasin, believed by many tribal people to possess magical abilities and to have an almost messianic status.
    • He saw the overthrow of colonial rule in terms similar to a millenarian event and he harnessed the discontent of the tribal people to support his anti-colonial zeal.

    Course of revolt

    • Alluri Sitarama Raju, along with 500 tribal people, attacked the police stations of Chintapalli, Krishnadevipeta and Rajavommangi.
    • They walked away with 26 police carbine rifles and 2,500 rounds of ammunition.
    • Legend has it that Alluri himself would forewarn the British officers of an imminent attack and would challenge them to stop him with the superior resources that they had at hand.
    • He was finally captured, tied to a tree and shot dead.

     

    Try this PYQ:

    Q. With reference to the history of India, “Ulgulan” or the Great Tumult is the description of which of the following event?

    (a) The Revolt of 1857

    (b) The Mappila Rebellion of 1921

    (c) The Indigo Revolt of 1859-60

    (d) Birsa Munda’s Revolt of 1899-1900

     

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  • Festivals in news: Puri Rath Yatra

    Lakhs of devotees thronged the coastal town of Puri town to witness the annual Rath Yatra with three decorated chariots of sibling deities Lord Balabhadra, Lord Jagannath and Devi Subhadra towed in front of the 12th century Shree Jagannath Temple.

    About Jagannath Rath Yatra

    • Ratha Jatra, the Festival of Chariots of Lord Jagannatha is celebrated every year at Puri, the temple town in Orissa, on the east coast of India.
    • It involves a public procession with a chariot with deities Jagannath (Vishnu avatar), BalaBhadra (his brother), Subhadra (his sister) and Sudarshana Chakra (his weapon) on a ratha, a wooden deula-shaped chariot.
    • The huge, colourfully decorated chariots, are drawn by hundreds and thousands of devotees on the bada danda, the grand avenue to the Gundicha temple, some two miles away to the North.
    • It attracts over a million Hindu pilgrims who join the procession each year.

    Back2Basics: Puri Temple Architecture

    • Jagannath Temple is a very big temple and covers an area of 37000m2. The height of the outer wall is 6.1m.
    • It is surrounded by a high fortified wall 6.1 m high is known as Meghanada Pacheri.
    • The main portion of the temple is also surrounded by a wall known as Kurma Bheda.
    • The temple is built in Rekha Deula style and has four distinct sectional structures, namely –
    1. Deula, Vimana or Garba griha (Sanctum sanctorum) where the triad deities are lodged on the ratnavedi (Throne of Pearls)
    2. Mukhashala (Frontal porch)
    3. Nata mandir/Natamandapa, which is also known as the Jagamohan (Audience Hall/Dancing Hall), and
    4. Bhoga Mandapa (Offerings Hall)

    Try this question from CSP 2019:

    Q.Building ‘Kalyaana Mandapas’ was a notable feature in the temple construction in the kingdom of-

    (a) Chalukya (b) Chandela (c) Rashtrakuta (d) Vijayanagara

     

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  • Centre asks firms to arrange Tricolours

    Independence Day 2020 | Independence Day: Facts about Indian tricolour that you may have missed | India News

    The Centre has reached out to manufacturers and e-commerce sites to boost the availability of the Tricolour, according to officials aware of the programme.

    Why in news?

    • The Centre is set to launch a large-scale campaign to encourage Indians to fly the National Fag at their homes to mark the 75th Independence Day.
    • The aim of the campaign was to inspire people, rather than carry out a distribution drive.

    How is it made possible?

    • In order to facilitate the campaign, the Union Home Ministry had last year amended the Flag Code, which earlier only allowed hand-woven or hand-spun flags to be made.
    • It has now allowed flags to be polyester and machine-made.

    Do you know?

    Earlier, the display of the national flag was governed by the provisions of The Emblems and Names (Prevention of Improper Use) Act, 1950 and the Prevention of Insults to National Honour Act, 1971.

    What is the Flag Code of India?

    • The Flag Code of India is a set of laws, practices and conventions that apply to the display of the national flag of India.
    • The Code took effect from 26 January 2002 and superseded the “Flag Code-India” as it existed earlier.
    • It permits the unrestricted display of the tricolour, consistent with the honour and dignity of the flag.

    The Flag Code of India has been divided into three parts:-

    • First Part: General Description of the National Flag.
    • Second Part: Display of the National Flag by members of public, private Organisations & educational institutions etc.
    • Third Part: Display of National Flag by Union or State Governments and their organisations and agencies.

    Disposing of the national flag

    • A/c to the Flag Code, such paper flags are not to be discarded or thrown on the ground after the event.
    • Such flags are to be disposed of, in private, consistent with the dignity of the flag.

    Hoisting the national flag is a fundamental right

    • The bench headed by Chief Justice of India V. N. Khare said that under Article 19(1)(a) of the Constitution of India, citizens had the fundamental right to fly the national flag on their premises throughout the year.
    • However, it provided that the premises do not undermine the dignity of the national flag.

    About Prevention of Insults to National Honour Act

    • The law, enacted on December 23, 1971, penalizes the desecration of or insult to Indian national symbols, such as the National Flag, the Constitution, the National Anthem, and the Indian map, as well as contempt of the Constitution of India.
    • Section 2 of the Act deals with insults to the Indian National Flag and the Constitution of India.

    Do you know?

    Article 51 ‘A’ contained in Part IV A i.e. Fundamental Duties asks:

    To abide by the constitution and respect its ideals and institutions, the National Flag and the National Anthem in clause (a).

    Back2Basics: Story of our National Flag

    (1) Public display for the first time

    • Arguably the first national flag of India is said to have been hoisted on August 7, 1906, in Kolkata at the Parsee Bagan Square (Green Park).
    • It comprised three horizontal stripes of red, yellow and green, with Vande Mataram written in the middle.
    • Believed to have been designed by freedom activists Sachindra Prasad Bose and Hemchandra Kanungo, the red stripe on the flag had symbols of the sun and a crescent moon, and the green strip had eight half-open lotuses.

    (2) In Germany

    • In 1907, Madame Cama and her group of exiled revolutionaries hoisted an Indian flag in Germany in 1907 — this was the first Indian flag to be hoisted in a foreign land.

    (3) During the Home Rule Movement

    • In 1917, Dr Annie Besant and Lokmanya Tilak adopted a new flag as part of the Home Rule Movement.
    • It had five alternate red and four green horizontal stripes, and seven stars in the saptarishi configuration.
    • A white crescent and star occupied one top corner, and the other had Union Jack.

    (4) Final version by Pingali Venkayya

    • The design of the present-day Indian tricolour is largely attributed to Pingali Venkayya, an Indian freedom fighter.
    • He reportedly first met Mahatma Gandhi in South Africa during the second Anglo-Boer War (1899-1902), when he was posted there as part of the British Indian Army.
    • Years of research went into designing the national flag. In 1916, he even published a book with possible designs of Indian flags.
    • At the All India Congress Committee in Bezwada in 1921, Venkayya again met Gandhi and proposed a basic design of the flag, consisting of two red and green bands to symbolise the two major communities, Hindus and Muslims.

    (5) During Constituent Assembly

    • On July 22, 1947, when members of the Constituent Assembly of India, the first item on the agenda was reportedly a motion by Pandit Nehru, about adopting a national flag for free India.
    • It was proposed that “the National Flag of India shall be horizontal tricolour of deep saffron (Kesari), white and dark green in equal proportion.”
    • The white band was to have a wheel in navy blue (the charkha being replaced by the chakra), which appears on the abacus of the Sarnath Lion Capital of Ashoka.

     

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